Early Netherlandish painting Vol. I The van Eycks—Petrus Christus

Summary

Early Netherlandish painting Vol. I The van Eycks—Petrus Christus is a catalogue^[1].

Key Facts

• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus authored Max Jakob Friedländer^[2].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's Petrus Christus — instance of is recorded as catalogue^[3].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's Petrus Christus — instance of is recorded as monograph^[4].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's Petrus Christus — instance of is recorded as version, edition or translation^[5].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus was followed by Early Netherlandish Painting Vol. II Rogier van der Weyden and the Master of Flémalle^[6].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's Petrus Christus — part of the series is recorded as Early Netherlandish painting^[7].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's Petrus Christus — Commons category is recorded as Early Netherlandish Painting by Max J. Friedländer (vol. 01)^[8].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus was published on 1967^[9].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Ghent Altarpiece^[10].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Jan van Eyck^[11].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Hubert van Eyck^[12].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Léal Souvenir^[13].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Portrait of a Man (Self Portrait?)^[14].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is The Virgin and Child^[15].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Arnolfini Portrait^[16].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Portrait of Jan de Leeuw^[17].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Madonna with Canon Joris van der Paele^[18].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Saint Barbara^[19].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Madonna at the Fountain^[20].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Portrait of Margareta van Eyck^[21].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Q131900281^[22].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Sts. Julian and Martha in an Sailboat^[23].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Virgin with Female Saints^[24].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Prayer at the Shore^[25].
• Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's main subject is Birth of John the Baptist^[26].

Body

Authorship and Creation

Early Netherlandish painting Vol. I The van Eycks—Petrus Christus authored Max Jakob Friedländer^[2].

Publication

Early Netherlandish painting Vol. I The van Eycks—Petrus Christus was released on 1967^[9]. Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's Petrus Christus — part of the series is recorded as Early Netherlandish painting^[7].

Subject and Themes

Main subjects include Ghent Altarpiece^[10], Jan van Eyck^[11], Hubert van Eyck^[12], Léal Souvenir^[13], Portrait of a Man (Self Portrait?)^[14], and The Virgin and Child^[15]. Early Netherlandish painting Vol. I The van Eycks—Petrus Christus's Petrus Christus — part of the series is recorded as Early Netherlandish painting^[7].

Adaptations and Inspiration

Early Netherlandish painting Vol. I The van Eycks—Petrus Christus was followed by Early Netherlandish Painting Vol. II Rogier van der Weyden and the Master of Flémalle^[6].