Dreamland
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Summary
Dreamland is a two-part episode[1]. Dreamland draws 2,593 Wikipedia views per month (two_part_episode category, ranking #25 of 135).[2]
Key Facts
- Dreamland's instance of is recorded as two-part episode[3].
- Dreamland's instance of is recorded as Monster of the Week[4].
- Dreamland was directed by Kim Manners[5].
- Dreamland was directed by Michael W. Watkins[6].
- Vince Gilligan wrote the screenplay for Dreamland[7].
- John Shiban wrote the screenplay for Dreamland[8].
- Frank Spotnitz wrote the screenplay for Dreamland[9].
- Dreamland followed Triangle[10].
- Dreamland was followed by How the Ghosts Stole Christmas[11].
- Dreamland's part of the series is recorded as The X-Files[12].
- Dreamland's language of work or name is recorded as English[13].
- Dreamland comprises Dreamland[14].
- Dreamland comprises Dreamland II[15].
- Dreamland was released on December 6, 1998[16].
- Dreamland's main subject is body swap[17].
- Dreamland's title is recorded as {'lang': 'en', 'text': 'Dreamland'}[18].
- Dreamland's season is recorded as The X-Files, season 6[19].
- Dreamland's featured track is recorded as Staring at the Stars[20].
Body
Authorship and Creation
Directors include Kim Manners[5] and Michael W. Watkins[6]. Screenwriters include Vince Gilligan[7], John Shiban[8], and Frank Spotnitz[9].
Publication
Dreamland was published on December 6, 1998[16]. Dreamland's language of work or name is recorded as English[13]. Dreamland's part of the series is recorded as The X-Files[12].
Subject and Themes
Dreamland's main subject is body swap[17]. Dreamland's part of the series is recorded as The X-Files[12].
Adaptations and Inspiration
Dreamland followed Triangle[10]. Dreamland was followed by How the Ghosts Stole Christmas[11].
Why It Matters
Dreamland draws 2,593 Wikipedia views per month (two_part_episode category, ranking #25 of 135).[2] Dreamland has Wikipedia articles in 6 language editions, a strong signal of global cultural recognition.[21] Dreamland is known by 8 alternative names across languages and contexts.[22]