Home › Entities › master_s_thesis › Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance

Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance

2019 master's thesis by Marcus Jackson at Victoria University of Wellington
Place master_s_thesis Q112948913
Press Enter · cited answer in seconds

Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance

Summary

Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance is a master's thesis[1].

Key Facts

  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance authored A compositional approach to the dynamic decoupling of gesture and sound in live performance — author (P50): Marcus Jackson[2].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's instance of is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — instance of (P31): master's thesis[3].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's publisher is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — publisher (P123): Open Access Repository Victoria University of Wellington[4].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's DOI is recorded as 10.26686/WGTN.17143913[5].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's language of work or name is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — language of work or name (P407): English[6].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's country of origin is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — country of origin (P495): New Zealand[7].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's publication date is recorded as +2019-01-01T00:00:00Z[8].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's main subject is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — main subject (P921): gesture[9].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's main subject is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — main subject (P921): performance[10].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's title is recorded as Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance[11].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's copyright holder is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — copyright holder (P3931): Marcus Jackson[12].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's thesis submitted to is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — thesis submitted to (P4101): Victoria University of Wellington[13].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's on focus list of Wikimedia project is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — on focus list of Wikimedia project (P5008): NZThesisProject[14].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's copyright status is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — copyright status (P6216): copyrighted[15].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's thesis committee member is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — thesis committee member (P9161): Jim Murphy[16].
  • Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's thesis committee member is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — thesis committee member (P9161): Michael Norris[17].

Body

Designation and Status

Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance's instance of is recorded as A compositional approach to the dynamic decoupling of gesture and sound in live performance — instance of (P31): master's thesis[3].

References

Programmatic citations — every numbered marker resolves to a verifiable graph row below.

Direct Wikidata claims

  1. [3] ↑ . wikidata.org.
  2. [2] ↑ . doi.org. doi.org. Provenance: wikidata.org.
  3. [4] ↑ . wikidata.org.
  4. [5] ↑ . wikidata.org.
  5. [6] ↑ . wikidata.org.
  6. [7] ↑ . wikidata.org.
  7. [8] ↑ . wikidata.org.
  8. [9] ↑ . doi.org. doi.org. Provenance: wikidata.org.
  9. [10] ↑ . doi.org. doi.org. Provenance: wikidata.org.
  10. [11] ↑ . wikidata.org.
  11. [12] ↑ . wikidata.org.
  12. [13] ↑ . wikidata.org.
  13. [14] ↑ . wikidata.org.
  14. [15] ↑ . wikidata.org.
  15. [16] ↑ . wikidata.org.
  16. [17] ↑ . wikidata.org.

Class ancestry

  1. [1] ↑ . Wikidata. wikidata.org.

📑 Cite this page

Use these citations when quoting this entity in research, articles, AI prompts, or wherever provenance matters. We aggregate Wikidata + Wikipedia + authoritative open-data sources; the stitched, scored, cross-referenced view is what 4ort.xyz contributes.

APA 4ort.xyz Knowledge Graph. (2026). Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance. Retrieved May 3, 2026, from https://4ort.xyz/entity/discontinuity-a-compositional-approach-to-the-dynamic-decoupling-of-gesture-and-sound-in-live-performance
MLA “Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance.” 4ort.xyz Knowledge Graph, 4ort.xyz, 3 May. 2026, https://4ort.xyz/entity/discontinuity-a-compositional-approach-to-the-dynamic-decoupling-of-gesture-and-sound-in-live-performance.
BibTeX @misc{4ortxyz_discontinuity-a-compositional-approach-to-the-dynamic-decoupling-of-gesture-and-sound-in-live-performance_2026, author = {{4ort.xyz Knowledge Graph}}, title = {{Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance}}, year = {2026}, url = {https://4ort.xyz/entity/discontinuity-a-compositional-approach-to-the-dynamic-decoupling-of-gesture-and-sound-in-live-performance}, note = {Accessed: 2026-05-03}}
LLM prompt According to 4ort.xyz Knowledge Graph (aggregator of Wikidata, Wikipedia, and authoritative open-data sources): Discontinuity: A compositional approach to the dynamic decoupling of gesture and sound in live performance — https://4ort.xyz/entity/discontinuity-a-compositional-approach-to-the-dynamic-decoupling-of-gesture-and-sound-in-live-performance (retrieved 2026-05-03)

Canonical URL: https://4ort.xyz/entity/discontinuity-a-compositional-approach-to-the-dynamic-decoupling-of-gesture-and-sound-in-live-performance · Last refreshed: