Carol of the Bells
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Carol of the Bells
Summary
Carol of the Bells is a musical work/composition[1]. It ranks in the top 4% of musical_work_composition entities by monthly Wikipedia readership (930 views/month).[2]
Key Facts
- Carol of the Bells's instance of is recorded as musical work/composition[3].
- Carol of the Bells's genre is traditional folk music[4].
- Carol of the Bells's genre is Christmas carol[5].
- Carol of the Bells's based on is recorded as Shchedryk[6].
- Carol of the Bells was produced by Michael Andrews[7].
- Carol of the Bells was performed by The Bird and the Bee[8].
- Carol of the Bells was performed by Shirley Clamp[9].
- Carol of the Bells's Commons category is recorded as Carol of the Bells[10].
- Carol of the Bells's language of work or name is recorded as English[11].
- Carol of the Bells was released on 1936[12].
- Carol of the Bells's lyricist is recorded as Peter Wilhousky[13].
- Carol of the Bells's title is recorded as {'lang': 'en', 'text': 'Carol of the Bells'}[14].
- Carol of the Bells's form of creative work is recorded as song[15].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Song[16]
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Community tags: christmas[17]
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MusicBrainz ID: 21a77a1e-5e17-38cf-bc77-9dc0c66e81b1[18]
Body
Authorship and Creation
Performers include The Bird and the Bee[8] and Shirley Clamp[9]. Carol of the Bells was produced by Michael Andrews[7].
Publication
Carol of the Bells was released on 1936[12]. Its language of work or name is recorded as English[11]. Genres include traditional folk music[4] and Christmas carol[5].
Why It Matters
Carol of the Bells ranks in the top 4% of musical_work_composition entities by monthly Wikipedia readership (930 views/month).[2] It has Wikipedia articles in 17 language editions, a strong signal of global cultural recognition.[19] It is known by 7 alternative names across languages and contexts.[20]