Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)
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Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)
Summary
Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) is a doctoral thesis[1].
Key Facts
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) authored A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — author (P50): Nicholas Grigsby[2].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s instance of is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — instance of (P31): doctoral thesis[3].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s publisher is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — publisher (P123): Waikato Research Commons[4].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s place of publication is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — place of publication (P291): Hamilton[5].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s language of work or name is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — language of work or name (P407): English[6].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s country of origin is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — country of origin (P495): New Zealand[7].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s publication date is recorded as +2014-00-00T00:00:00Z[8].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s work available at URL is recorded as https://researchcommons.waikato.ac.nz/handle/10289/9625[9].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s Handle ID is recorded as 10289/9625[10].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s title is recorded as Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)[11].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s copyright holder is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — copyright holder (P3931): Nicholas Grigsby[12].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s thesis submitted to is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — thesis submitted to (P4101): University of Waikato[13].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s on focus list of Wikimedia project is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — on focus list of Wikimedia project (P5008): NZThesisProject[14].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s copyright status is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — copyright status (P6216): copyrighted[15].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s online access status is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — online access status (P6954): open access[16].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s thesis committee member is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — thesis committee member (P9161): Martin Lodge[17].
- Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s thesis committee member is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — thesis committee member (P9161): Rachael Griffiths-Hughes[18].
Body
Designation and Status
Bach’s Creative Journey: A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750)'s instance of is recorded as A Study of Source, Circumstance, Genre, Interpretation and Procedure in the Earliest Music of J. S. Bach (1685-1750) — instance of (P31): doctoral thesis[3].