Auf de schwäbsche Eisebahne
0 sources
Auf de schwäbsche Eisebahne
Summary
Auf de schwäbsche Eisebahne is a musical work/composition[1]. It ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (66 views/month).[2]
Key Facts
- Auf de schwäbsche Eisebahne's instance of is recorded as musical work/composition[3].
- Auf de schwäbsche Eisebahne's Commons category is recorded as Auf de schwäbsche Eisebahne[4].
- Auf de schwäbsche Eisebahne's language of work or name is recorded as Swabian[5].
- Auf de schwäbsche Eisebahne was published on 1850[6].
- Auf de schwäbsche Eisebahne's characters is recorded as Capra[7].
- Auf de schwäbsche Eisebahne's characters is recorded as ticket controller[8].
- Auf de schwäbsche Eisebahne's characters is recorded as passenger[9].
- Auf de schwäbsche Eisebahne's narrative location is recorded as Baden-Württemberg[10].
- Auf de schwäbsche Eisebahne's narrative location is recorded as Bahnhof Durlesbach[11].
- Auf de schwäbsche Eisebahne's has characteristic is recorded as traditional folk song[12].
- Auf de schwäbsche Eisebahne's copyright status is recorded as public domain[13].
- Auf de schwäbsche Eisebahne's form of creative work is recorded as song[14].
- Auf de schwäbsche Eisebahne's set in environment is recorded as train[15].
- Auf de schwäbsche Eisebahne's set in environment is recorded as railway facility[16].
- Auf de schwäbsche Eisebahne's set in environment is recorded as railway ticket counter[17].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
Body
Publication
Auf de schwäbsche Eisebahne was released on 1850[6]. Its language of work or name is recorded as Swabian[5].
Why It Matters
Auf de schwäbsche Eisebahne ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (66 views/month).[2] It is known by 4 alternative names across languages and contexts.[20]