Audioslave
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Audioslave
Summary
Audioslave is a rock band[1]. Audioslave ranks in the top 5% of rock_band entities by monthly Wikipedia readership (9,157 views/month).[2]
Key Facts
- Audioslave's instance of is recorded as rock band[3].
- Audioslave's genre is alternative rock[4].
- Audioslave's genre is alternative metal[5].
- Audioslave's record label is recorded as Epic Records[6].
- Audioslave's discography is recorded as Audioslave discography[7].
- Audioslave's Commons category is recorded as Audioslave[8].
- Audioslave's country of origin is recorded as United States[9].
- Audioslave comprises Chris Cornell[10].
- Audioslave comprises Tom Morello[11].
- Audioslave comprises Tim Commerford[12].
- Audioslave comprises Brad Wilk[13].
- 2001 marks the founding of Audioslave[14].
- Audioslave's location of formation is recorded as Glendale[15].
- Audioslave's official website is recorded as http://Audioslave.com[16].
- Audioslave's topic's main category is recorded as Category:Audioslave[17].
- Audioslave's Commons gallery is recorded as Audioslave[18].
- Audioslave's topic has template is recorded as Template:Audioslave[19].
- Audioslave's official name is recorded as {'lang': 'mul', 'text': 'Audioslave'}[20].
- Audioslave's native label is recorded as {'lang': 'en', 'text': 'Audioslave'}[21].
- Audioslave's start of work period is recorded as 2001[22].
- Audioslave's end of work period is recorded as 2007[23].
- Audioslave's member category is recorded as Category:Audioslave members[24].
- Audioslave's social media followers is recorded as {'amount': '+11022'}[25].
- Audioslave's social media followers is recorded as {'amount': '+1040000'}[26].
- Audioslave's social media followers is recorded as {'amount': '+12104'}[27].
Why It Matters
Audioslave ranks in the top 5% of rock_band entities by monthly Wikipedia readership (9,157 views/month).[2] Audioslave has Wikipedia articles in 28 language editions, a strong signal of global cultural recognition.[28] Audioslave is known by 10 alternative names across languages and contexts.[29]