Antea
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Antea
Summary
Antea is a painting[1]. Antea has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[2]
Key Facts
- Antea is the creator of Parmigianino[3].
- Antea is in the country of Italy[4].
- Antea's instance of is recorded as painting[5].
- Antea is associated with the High Renaissance movement[6].
- Antea's genre is portrait[7].
- Antea's depicts is recorded as woman[8].
- Antea's depicts is recorded as standing[9].
- Antea's depicts is recorded as Mustela erminea[10].
- Antea's depicts is recorded as part[11].
- Antea's depicts is recorded as courtesan[12].
- Antea is made of oil paint[13].
- Antea is made of canvas[14].
- Antea's collection is recorded as Museo di Capodimonte[15].
- Antea's inventory number is recorded as Q 108[16].
- Antea took place at Museo di Capodimonte[17].
- Antea is part of Farnese collection[18].
- Antea's Commons category is recorded as Antea by Parmigianino[19].
- 1600 marks the founding of Antea[20].
- 1535 marks the founding of Antea[21].
- Antea's described at URL is recorded as https://www.wga.hu/html_m/p/parmigia/1/antea.html[22].
- Antea's title is recorded as {'lang': 'it', 'text': 'Ritratto di giovane donna, detta "Antea"'}[23].
- Antea's title is recorded as {'lang': 'en', 'text': 'Antea'}[24].
- Antea's height is recorded as {'unit': 'Q174728', 'amount': '+136'}[25].
- Antea's width is recorded as {'unit': 'Q174728', 'amount': '+86'}[26].
- Antea's copyright status is recorded as public domain[27].
Body
Authorship and Creation
Antea is the creator of Parmigianino[3].
Publication
Antea's genre is portrait[7]. Antea is part of Farnese collection[18].
Subject and Themes
Antea is associated with the High Renaissance movement[6].
Material and Period
Recorded made from material include oil paint[13] and canvas[14]. Antea took place at Museo di Capodimonte[17].
Why It Matters
Antea has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[2] Antea is known by 5 alternative names across languages and contexts.[28]