Also sprach Zarathustra
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Also sprach Zarathustra
Summary
Also sprach Zarathustra is a musical work/composition[1]. It ranks in the top 1% of musical_work_composition entities by monthly Wikipedia readership (1,228 views/month).[2]
Key Facts
- Also sprach Zarathustra's instance of is recorded as musical work/composition[3].
- Also sprach Zarathustra's instance of is recorded as music track without lyrics[4].
- Also sprach Zarathustra's composer is recorded as Richard Strauss[5].
- Also sprach Zarathustra's genre is symphonic poem[6].
- Also sprach Zarathustra's based on is recorded as Thus Spoke Zarathustra[7].
- Also sprach Zarathustra's Commons category is recorded as Also sprach Zarathustra (Strauss)[8].
- Also sprach Zarathustra's language of work or name is recorded as no linguistic content[9].
- Also sprach Zarathustra's country of origin is recorded as Kingdom of Prussia[10].
- Also sprach Zarathustra's catalog code is recorded as TrV 176[11].
- Also sprach Zarathustra was released on January 1, 1896[12].
- Also sprach Zarathustra's instrumentation is recorded as organ[13].
- Also sprach Zarathustra's instrumentation is recorded as orchestra[14].
- Also sprach Zarathustra's date of first performance is recorded as November 27, 1896[15].
- Also sprach Zarathustra's title is recorded as Also sprach Zarathustra[16].
- Also sprach Zarathustra's copyright status is recorded as public domain[17].
- Also sprach Zarathustra's copyright status is recorded as public domain[18].
- Also sprach Zarathustra's opus number is recorded as 30[19].
Body
Publication
Also sprach Zarathustra was released on January 1, 1896[12]. Its language of work or name is recorded as no linguistic content[9]. Its genre is symphonic poem[6].
Why It Matters
Also sprach Zarathustra ranks in the top 1% of musical_work_composition entities by monthly Wikipedia readership (1,228 views/month).[2] It has Wikipedia articles in 23 language editions, a strong signal of global cultural recognition.[20] It is known by 34 alternative names across languages and contexts.[21]