Aesthetically potent environments : an exploration of technology, meaning and embodied interaction

Summary

Aesthetically potent environments : an exploration of technology, meaning and embodied interaction is a master's thesis^[1].

Key Facts

• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction authored an exploration of technology, meaning and embodied interaction — author (P50): Christopher David Bennewith^[2].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's instance of is recorded as an exploration of technology, meaning and embodied interaction — instance of (P31): master's thesis^[3].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's publisher is recorded as an exploration of technology, meaning and embodied interaction — publisher (P123): Massey Research Online^[4].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's country of origin is recorded as an exploration of technology, meaning and embodied interaction — country of origin (P495): New Zealand^[5].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's publication date is recorded as +2011-00-00T00:00:00Z^[6].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's main subject is recorded as an exploration of technology, meaning and embodied interaction — main subject (P921): installation art^[7].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's main subject is recorded as an exploration of technology, meaning and embodied interaction — main subject (P921): interactive art^[8].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's main subject is recorded as an exploration of technology, meaning and embodied interaction — main subject (P921): audience participation^[9].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's Handle ID is recorded as 10179/2373^[10].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's title is recorded as Aesthetically potent environments : an exploration of technology, meaning and embodied interaction^[11].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's copyright holder is recorded as an exploration of technology, meaning and embodied interaction — copyright holder (P3931): Christopher David Bennewith^[12].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's thesis submitted to is recorded as an exploration of technology, meaning and embodied interaction — thesis submitted to (P4101): Massey University^[13].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's on focus list of Wikimedia project is recorded as an exploration of technology, meaning and embodied interaction — on focus list of Wikimedia project (P5008): NZThesisProject^[14].
• Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's copyright status is recorded as an exploration of technology, meaning and embodied interaction — copyright status (P6216): copyrighted^[15].

Body

Designation and Status

Aesthetically potent environments : an exploration of technology, meaning and embodied interaction's instance of is recorded as an exploration of technology, meaning and embodied interaction — instance of (P31): master's thesis^[3].