(Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy
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(Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy
Summary
(Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy is a doctoral thesis[1].
Key Facts
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy authored imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — author (P50): Susanna Scarparo[2].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's instance of is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — instance of (P31): doctoral thesis[3].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's publisher is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — publisher (P123): ResearchSpace@Auckland[4].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's country of origin is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — country of origin (P495): New Zealand[5].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's publication date is recorded as +2000-00-00T00:00:00Z[6].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's main subject is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — main subject (P921): comparative literature[7].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's main subject is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — main subject (P921): Italian literature[8].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's main subject is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — main subject (P921): Rinascimento privato[9].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's main subject is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — main subject (P921): Susan Daitch[10].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's main subject is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — main subject (P921): Drusilla Modjeska[11].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's Handle ID is recorded as 2292/671[12].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's title is recorded as (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy[13].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's copyright holder is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — copyright holder (P3931): Susanna Scarparo[14].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's thesis submitted to is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — thesis submitted to (P4101): University of Auckland[15].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's on focus list of Wikimedia project is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — on focus list of Wikimedia project (P5008): NZThesisProject[16].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's copyright status is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — copyright status (P6216): copyrighted[17].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's online access status is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — online access status (P6954): closed user group[18].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's thesis committee member is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — thesis committee member (P9161): Bernadette Luciano[19].
- (Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's thesis committee member is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — thesis committee member (P9161): Michael Hanne[20].
Body
Designation and Status
(Hi)stories of women's lives: imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy's instance of is recorded as imagining the past in Anna Banti's Artemisia, Maria Bellonci's Rinascimento privato, Susan Daitch's L.C., and Drusilla Modjeska's Poppy — instance of (P31): doctoral thesis[3].