# The Charterhouse of Parma

> novel by Stendhal (1839)

**Wikidata**: [Q1165714](https://www.wikidata.org/wiki/Q1165714)  
**Wikipedia**: [English](https://en.wikipedia.org/wiki/The_Charterhouse_of_Parma)  
**Source**: https://4ort.xyz/entity/the-charterhouse-of-parma

## Summary
The Charterhouse of Parma is a novel written by the French author Stendhal and first published in 1839. Recognized as a prominent literary work meant for both enjoyment and edification, it stands as a notable example of historical fiction, literary realism, and the bildungsroman genre.

## Key Facts
- **Entity Title:** The Charterhouse of Parma
- **Author:** Stendhal, a French writer who lived from 1783 to 1842.
- **Inception Date:** Began in 1838 (specifically +1838-00-00T00:00:00Z).
- **Publication Date:** Published in 1839, with specific dates recorded as March 1, 1839 (+1839-03-01T00:00:00Z) and broadly in the year 1839 (+1839-00-00T00:00:00Z).
- **Literary Genres/Classes:** Classified as a literary work, a bildungsroman, historical fiction, and part of the literary realism movement.
- **Author's Nationality:** Stendhal held citizenship in France.
- **Knowledge Base Footprint:** The novel has a Wikipedia sitelink count of 32.

## FAQs
**When was The Charterhouse of Parma written and published?**
The concept and writing of the novel began in 1838. It was subsequently published the following year in 1839, with the specific publication date recorded as March 1, 1839. 

**What are the defining literary genres of The Charterhouse of Parma?**
The novel is recognized under several literary classifications. It is a historical fiction story set in the past, and it belongs to the literary realism movement. Furthermore, it is considered a bildungsroman, which is a genre focusing on the psychological and moral growth of the protagonist from youth to adulthood.

**Who is the author of The Charterhouse of Parma?**
The book was written by Stendhal, a notable French writer who was active between 1783 and 1842. 

## Why It Matters
The Charterhouse of Parma holds a significant place in 19th-century literature due to its multifaceted engagement with prominent literary movements of its time. By operating as a historical fiction narrative, it allows readers to engage with the past through a compelling story designed for both enjoyment and edification. Its strict classification as a bildungsroman means it serves as a vital framework for exploring the psychological and moral coming-of-age of its protagonist, mapping their growth from youth into adulthood. Furthermore, the novel is a crucial component of the broader literary realism movement, anchoring its narrative in grounded, realistic depictions of society and human development. Its connection to a French author also ties it closely to Western European literary traditions.

## Notable For
- Being a classic example of the **bildungsroman** genre, distinctly tracking its protagonist's psychological and moral coming-of-age.
- Seamlessly bridging the **literary realism** movement with **historical fiction**, creating a story rooted in the past but depicted with realistic psychological depth.
- Serving as a major written work for **enjoyment and edification** by the highly documented French author Stendhal.
- Possessing a robust digital and encyclopedic footprint, evidenced by its 32 sitelinks across various language editions of Wikipedia.

## Body

### Author and Historical Context
The Charterhouse of Parma was penned by Stendhal, a distinguished French writer whose life spanned from 1783 to 1842. In professional and academic knowledge bases, Stendhal's contributions to literature are categorized under multiple occupational identifiers (, , , , , , ). He held citizenship in France, a country located in Western Europe that also spans other continents through its overseas territories in America, Africa, and Oceania. 

France itself has a deeply layered historical inception timeline recorded in historical records. The nation's roots trace back to Francia in 0481, followed by West Francia following the Treaty of Verdun in 0843-08-00, and the establishment of the First French Empire on 1804-05-18. Stendhal's identity as a French writer is heavily documented, evidenced by his substantial digital footprint of 135 sitelinks across global knowledge platforms.

### Publication Timeline
The development and release of The Charterhouse of Parma occurred over a short, tightly focused period in the late 1830s. The formal inception of the novel is recorded as beginning precisely in 1838 (+1838-00-00T00:00:00Z). The work was subsequently completed and made available to the public in 1839. Academic and structural data sources recognize two distinct publication timestamps for the novel: a general publication encompassing the entire year (+1839-00-00T00:00:00Z) and a more specific publication date of March 1, 1839 (+1839-03-01T00:00:00Z). 

### Literary Classification and Genres
The Charterhouse of Parma is fundamentally classified as a "literary work," which is defined as a written work read for either enjoyment or edification. Beyond this broad foundational class, the novel is prominently categorized under three interconnected literary genres and movements:
*   **Bildungsroman:** The story serves as a prime example of this specific literary genre, which focuses deeply on the psychological and moral growth of its main protagonist, tracking their journey and development from youth all the way to adulthood.
*   **Historical Fiction:** The narrative is situated as a story explicitly set in the past, aligning with the film and literary genre dedicated to historical settings and contexts.
*   **Literary Realism:** The novel is a recognized part of the literary realism movement, grounding its narrative elements in realistic representations of everyday life and human nature.

### Digital and Academic Presence
In modern knowledge graphs and encyclopedic databases, the novel is strictly defined by its Wikidata description as a "novel by Stendhal (1839)." It is widely indexed under its standard Wikipedia title, "The Charterhouse of Parma." The novel's connectedness across global digital encyclopedias is reflected in its sitelink count of 32, indicating a wide-reaching presence across various language editions and data repositories. This digital footprint is supported by the broader context of its connected data points, such as the overarching literary genres (which boast sitelink counts of 53 for bildungsroman, 30 for historical fiction, and 62 for literary realism).

## References

1. Freebase Data Dumps. 2013
2. National Library of Israel Names and Subjects Authority File
3. Virtual Study of Theatre Institute