# The Cabin in the Woods

> 2012 film directed by Drew Goddard

**Wikidata**: [Q45394](https://www.wikidata.org/wiki/Q45394)  
**Wikipedia**: [English](https://en.wikipedia.org/wiki/The_Cabin_in_the_Woods)  
**Source**: https://4ort.xyz/entity/the-cabin-in-the-woods

## Summary

The Cabin in the Woods is a 2012 film directed by Drew Goddard that blends elements of horror, comedy, and science fiction genres. The movie was released on multiple dates in 2012, including March 9, September 6, and April 13, and is associated with production companies including Metro-Goldwyn-Mayer, Mutant Enemy Productions, and United Artists. It exists within the broader landscape of American film production, specifically within the monster film, zombie film, and slasher film subgenres while also incorporating comedy drama and science fiction elements.

## Key Facts

- **Title**: The Cabin in the Woods
- **Alias**: Cabin in the Woods
- **Director**: Drew Goddard
- **Publication/Release Dates**: March 9, 2012; April 13, 2012; September 6, 2012
- **Country of Production**: United States
- **Production Companies**: Metro-Goldwyn-Mayer (MGM), Mutant Enemy Productions, United Artists
- **Metro-Goldwyn-Mayer Inception**: April 17, 1924
- **Mutant Enemy Productions Inception**: 1996
- **United Artists Founded**: February 5, 1919
- **Film Classification**: Feature film (sequence of images giving impression of movement, stored on film stock)
- **Genre Classifications**: Monster film, science fiction film, comedy drama, comedy horror, zombie film, slasher film
- **Industry**: Film and television production and distribution
- **Wikipedia Title**: The Cabin in the Woods
- **Sitelink Count**: 46

## FAQs

**What production companies are associated with The Cabin in the Woods?**

The film was produced through collaborations with Metro-Goldwyn-Mayer (MGM), an American film and television distribution company founded in 1924 and headquartered in Burbank, California; Mutant Enemy Productions, a television production company established in 1996 and also based in Burbank; and United Artists, a historic American moving image production and distribution company founded in 1919.

**What genres does The Cabin in the Woods belong to?**

The film operates across multiple genre classifications, including monster film, science fiction film, comedy drama, comedy horror, zombie film (as a subtype of monster film), and slasher film (a subgenre of horror involving violent psychopaths stalking and murdering groups of people, typically with bladed tools).

**When was The Cabin in the Woods released?**

The film was released on three different dates in 2012: March 9, 2012; April 13, 2012; and September 6, 2012, suggesting potential staggered releases across different markets or distribution formats.

**What is the director's background?**

The film was directed by Drew Goddard, an American filmmaker working within the contemporary horror and science fiction landscape.

**Where was The Cabin in the Woods produced?**

The film was produced in the United States, with the associated production companies headquartered in Burbank, California (Metro-Goldwyn-Mayer and Mutant Enemy Productions) and the historical United Artists operations based at a separate headquarters location.

## Why It Matters

The Cabin in the Woods represents a significant entry in early 2010s American horror cinema, existing at the intersection of multiple genre traditions that have defined the horror film landscape for decades. By incorporating elements from slasher films, zombie narratives, monster movies, and science fiction, the production demonstrates the increasingly hybrid nature of contemporary horror filmmaking. The involvement of established production entities like Metro-Goldwyn-Mayer (one of the oldest and most recognized names in American film history, dating to 1924) alongside newer production companies like Mutant Enemy Productions (established in 1996) illustrates the collaboration between historic Hollywood infrastructure and more contemporary independent production approaches.

The film's multiple 2012 release dates suggest a deliberate distribution strategy potentially targeting different theatrical markets or release windows, reflecting the complex economics of modern film distribution. The association with United Artists, a company founded in 1919 that has long represented independent filmmaking spirit within the larger Hollywood ecosystem, adds historical depth to the production's corporate lineage.

From a genre perspective, The Cabin in the Woods matters as a text that engages with the conventions and tropes of horror filmmaking while potentially subverting or commenting on audience expectations. The film's classification across six distinct genre categories—monster film, science fiction film, comedy drama, comedy horror, zombie film, and slasher film—indicates a hybrid approach that defies easy categorization, potentially appealing to diverse audience segments within the horror and broader entertainment market.

## Notable For

- **Multi-genre hybridization**: Combining elements from six distinct film genres (monster, science fiction, comedy drama, comedy horror, zombie, slasher) in a single production
- **Drew Goddard's directorial vision**: Representing Goddard's work as both writer and director in the horror genre space
- **Production company triumvirate**: Collaboration between three distinct production entities spanning different eras of American filmmaking—from United Artists (1919) to MGM (1924) to Mutant Enemy (1996)
- **Staggered release strategy**: Multiple release dates in 2012 suggesting sophisticated distribution planning
- **Genre deconstruction**: Engagement with slasher and zombie film conventions within a science fiction and comedy framework
- **Industry recognition**: Significant sitelink count of 46 indicating notable online presence and cultural footprint

## Body

### Production Companies and Corporate History

The Cabin in the Woods was produced through a collaboration of three significant American film production and distribution entities, each carrying substantial historical weight in the entertainment industry.

**Metro-Goldwyn-Mayer (MGM)** serves as one of the primary distribution partners. Founded on April 17, 1924, MGM represents one of the most iconic names in Hollywood history, with a legacy spanning nearly a century. The company is headquartered in Burbank, California, and operates within the film and television industry. With a sitelink count of 77 across knowledge bases, MGM maintains substantial cultural and historical presence in global entertainment documentation.

**Mutant Enemy Productions** represents the more contemporary production partner, established in 1996 and also headquartered in Burbank, California. This television and film production company operates within the same industry sector as MGM, bringing more recent horror and genre filmmaking sensibilities to the collaboration. The company maintains a sitelink count of 10, indicating a smaller but dedicated presence in entertainment documentation.

**United Artists** contributes historical depth to the production partnership. Founded on February 5, 1919, United Artists represents one of the oldest continuously operating names in American film production and distribution. The company was established with principles of allowing creative talent greater control over their work—a philosophy that may resonate with the genre-subverting approach suggested by The Cabin in the Woods' multi-genre classification. United Artists maintains a sitelink count of 59 and operates within the moving image production and distribution industry.

### Genre Classification and Film Type

The Cabin in the Woods exists within a complex taxonomy of film genres, demonstrating the increasingly hybrid nature of contemporary horror filmmaking. As a **film**, it represents the fundamental cinematic form—a sequence of images that give the impression of movement, stored on film stock.

The film's genre classifications include:

**Monster film**: A genre focused on creatures, typically giant or supernatural, that threaten humanity. The Cabin in the Woods' classification here (sitelink count: 24) places it within a tradition stretching from classic creature features to modern monster cinema.

**Science fiction film**: Classification as both a monster film and science fiction film (sitelink count: 50) suggests narrative elements involving scientific or technological concepts, potentially positioning the film's monsters or threat within a speculative science framework rather than purely supernatural or folkloric tradition.

**Comedy drama**: The inclusion of comedy drama (sitelink count: 46) indicates tonal complexity, suggesting the film balances humorous elements with more serious dramatic or emotional content—a sophisticated approach to genre filmmaking.

**Comedy horror**: This hybrid classification (sitelink count: 23) specifically denotes fiction that blends horror and comedy elements, a tradition with significant precedent in American horror cinema.

**Zombie film**: As a subtype of monster film (sitelink count: 22), this classification suggests the presence of undead or reanimated corpses as threats within the narrative, a genre that experienced significant resurgence in the 2000s and 2010s.

**Slasher film**: The classification as a slasher film (sitelink count: 43) places the movie within a specific horror subgenre involving violent psychopathic stalkers murdering groups of people, typically through bladed weapons. This suggests the film may engage with or subvert the conventions of this particularly American horror tradition.

### Release and Distribution

The Cabin in the Woods was released on multiple dates in 2012, indicating a potentially phased distribution strategy:

- **March 9, 2012**: Initial release date
- **April 13, 2012**: Secondary release date
- **September 6, 2012**: Third release date

This staggered release pattern across approximately six months suggests the film may have been rolled out through different distribution windows, potentially beginning with limited theatrical release before expanding to wider distribution, or possibly targeting different international markets at different times.

### Geographic and Industry Context

The film was produced in the **United States**, a country with a rich and influential horror film tradition. The United States' film industry, particularly the Hollywood system based in Southern California, has dominated global horror cinema for much of the genre's history. The production companies involved—MGM and Mutant Enemy in Burbank, United Artists with its historical headquarters—represent the geographic concentration of American film production in the Los Angeles area.

The film and television industry (industry code  for the production companies,  for United Artists specifically) represents a significant economic and cultural force in the American entertainment landscape, with horror films consistently performing well at the box office and maintaining dedicated audience followings.

### Cultural Presence

With a sitelink count of 46, The Cabin in the Woods maintains a notable presence in online knowledge repositories and cultural documentation. This figure indicates substantial cross-referencing and information availability across multiple platforms, suggesting the film has achieved meaningful cultural penetration and continues to be discussed, analyzed, and referenced in contemporary film discourse.

The film's title "The Cabin in the Woods" (with alias "Cabin in the Woods") follows a naming convention common in horror cinema, evoking the isolated, rural settings that have served as classic horror locations since the genre's earliest days—from the woods of early folk horror to the cabin settings of modern slasher and survival horror traditions.

## References

1. [Source](http://www.imdb.com/title/tt1259521/)
2. [Source](https://www.filmaffinity.com/en/film637438.html)
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6. [Source](http://www.metacritic.com/movie/the-cabin-in-the-woods)
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8. [Source](http://www.imdb.com/title/tt1259521/fullcredits)
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14. [IMDb](http://www.imdb.com/title/tt1259521/releaseinfo)
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18. [IMDb](https://www.imdb.com/title/tt1259521/)
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28. [Source](http://www.rtc.gob.mx/NuevoSitio/cine_clasif_35mm.php?cd=128)
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