# soundAFFECTs

> creative work by Anne Brewster, Hazel Smith, Roger Dean

**Wikidata**: [Q132221411](https://www.wikidata.org/wiki/Q132221411)  
**Source**: https://4ort.xyz/entity/soundaffects

## Summary
soundAFFECTs is a creative work of digital poetry and performance application published in 2003. It was authored by Anne Brewster, Hazel Smith, and Roger Dean. The work serves as a piece of computational literature developed using the Max programming language and GNU Jitter.

## Key Facts
- **Authors:** Anne Brewster, Hazel Smith, and Roger Dean.
- **Publication Date:** 2003.
- **Genre:** Digital poetry.
- **Instance of:** Creative work, performance, application.
- **Programming Languages:** Max (programming language), GNU Jitter.
- **Distribution Format:** Web page.
- **Language:** English.
- **Published In:** Academic journal.
- **ELMCIP ID:** 16104.

## FAQs
### Q: Who are the creators of soundAFFECTs?
A: The creative work was authored by Anne Brewster, Hazel Smith, and Roger Dean.

### Q: What type of software or programming languages were used to create soundAFFECTs?
A: The application was built using the Max programming language and GNU Jitter.

### Q: What genre does soundAFFECTs belong to?
A: It is classified as a work of digital poetry, functioning as both a performance and a software application.

### Q: When was soundAFFECTs published?
A: The work was published in 2003.

## Why It Matters
soundAFFECTs represents a specific intersection of literature, performance, and software engineering within the field of electronic literature. As a work of digital poetry, it demonstrates the early 2000s exploration of text as a dynamic, computational experience rather than static text on a page. By utilizing Max (a visual programming language) and GNU Jitter (a visual processing package), the authors bridged the gap between code and artistic expression, allowing for complex audio-visual interactions.

The inclusion of the work in the ELMCIP (Electronic Literature as a Model of Creativity and Innovation in Practice) knowledge base underscores its relevance to academic studies regarding digital humanities. It serves as an example of how collaborative authorship—combining the expertise of multiple creators—can produce hybrid digital artifacts that function simultaneously as software applications and performance art pieces.

## Notable For
- **Hybrid Classification:** Functions simultaneously as a software application, a creative work, and a live performance.
- **Technical Stack:** Utilizes GNU Jitter and Max, tools more commonly associated with music and multimedia synthesis than traditional text poetry.
- **Collaborative Authorship:** Created by a trio of authors (Brewster, Smith, and Dean), highlighting the collaborative nature of digital media production.
- **Academic Context:** Published in an academic journal, distinguishing it from commercial software or informal web art.

## Body

### Authorship and Origins
soundAFFECTs is a collaborative creative work attributed to three authors: Anne Brewster, Hazel Smith, and Roger Dean. The project was published in 2003 and is documented within the ELMCIP knowledge base under ID 16104. The work is written in English and was originally published in an academic journal context.

### Technical Specifications
The work operates as a software application distributed via a web page format. It is distinct for its use of specific programming environments tailored for multimedia art:
*   **Max (programming language):** A visual programming language for music and multimedia.
*   **GNU Jitter:** A library of visual processing tools often used in conjunction with Max.

This technical foundation suggests the work involves real-time media manipulation, characteristic of the "performance" classification assigned to it.

### Genre and Classification
soundAFFECTs is explicitly categorized as **digital poetry**. Unlike static ebooks, this classification implies that the text is integral to a computational process, potentially changing based on user interaction or algorithmic generation. The entity is formally defined as an "instance of" three distinct types:
1.  **Creative work**
2.  **Performance**
3.  **Application**