# Paolo Veronese

> Italian painter of the Renaissance (1528–1588)

**Wikidata**: [Q9440](https://www.wikidata.org/wiki/Q9440)  
**Wikipedia**: [English](https://en.wikipedia.org/wiki/Paolo_Veronese)  
**Source**: https://4ort.xyz/entity/paolo-veronese

## Summary
Paolo Veronese (1528–1588) was an Italian Renaissance painter known for large-scale history and religious paintings, portraits, and decorative cycles. His major works include The Wedding at Cana, The Feast in the House of Levi, and extensive commissions such as the decoration of Villa Barbaro.

## Biography
- Born: 1528 (date and place not provided in source)
- Died: 1588
- Nationality: Italian
- Known for: Large-scale history paintings, religious art, portraits, and decorative fresco cycles
- Field(s): Painter; draftsperson; architectural draftsperson; visual artist; portrait painting; history painting; religious art

## Contributions
Paolo Veronese created numerous major paintings, decorative cycles, and works now held in major collections. Works listed in the source material include:
- The Conversion of Mary Magdalene (inception: 1548)
- Portrait of a gentleman in a fur — Galleria Palatina, Florence (inception: 1558)
- Supper at Emmaus — Louvre (inception: 1559)
- The Wedding at Cana (inception: 1560; alternate date 1563; listed with country  / France)
- Raising the Young Man of Nain (inception: 1560)
- Christ Among the Doctors (inception: 1560)
- Saint John the Baptist Preaching (inception: 1562)
- The Feast in the House of Simon the Pharisee (inception: 1565)
- The Family of Darius Before Alexander (inception: 1565)
- Allegory of Wisdom and Strength (inception: 1565)
- Allegory of Virtue and Vice (inception: 1565)
- The Feast in the House of Simon the Pharisee — Brera Gallery, Milan (inception: 1570)
- The Allegory of Love — series of four paintings (inception: 1570)
- Venus and Mars (inception: 1570)
- Allegory of the Battle of Lepanto (inception: 1571)
- Portrait of Agostino Barbarigo (inception: 1571)
- Adoration of the Magi — National Gallery, London (inception: 1573)
- The Feast in the House of Levi (1573)
- The Annunciation (inception: 1578)
- Venus and Adonis (inception: 1580)
- The Vision of St. Helena (inception: 1580)
- The Finding of Moses — Prado (inception: 1580)
- Mars and Venus with Cupid and a Dog (inception: 1580)
- Susannah and the Elders (inception: 1580)
- Bathsheba at Her Bath (inceptions: 1550; 1575; 1580 — multiple datings listed)
- Lucretia (inception: 1580)
- Cephalus and Procris (inception: 1584)
- Venus and Mars with Cupid and a Dog (inception: 1580)
- The Vision of St. Helena (inception: 1580)
- The Finding of Moses (Prado) (inception: 1580)
- Portrait of a Venetian Woman, called La Belle Nani (inception: 1560)
- The Conversion of Mary Magdalene (inception: 1548)
- Supper at Emmaus — Louvre (inception: 1559)
- The Wedding at Cana (inception: 1560 / 1563; noted presence in French collections)
- Villa Barbaro — Palladian villa at Maser, Italy (inception: 1550); Veronese is listed in association with this site and its decoration.

Several of these works are specifically linked to public collections and locations: the National Gallery (London), the Louvre (France), the Prado (Spain), the Galleria Palatina (Florence), and the Brera Gallery (Milan).

## FAQs
Q: What genres and subjects did Paolo Veronese paint?
A: Veronese worked in history painting, religious art, and portraiture, producing large-scale biblical scenes, allegories, and commissioned portraits.

Q: When did Paolo Veronese live and work?
A: He lived from 1528 to 1588 and produced works dated from the 1540s through the 1580s.

Q: Where can Veronese’s works be seen today?
A: His paintings are in major European collections and sites, including the National Gallery (London), the Louvre (Paris), the Prado (Madrid), Galleria Palatina (Florence), and the Brera Gallery (Milan), and in situ decorations such as Villa Barbaro in Maser, Italy.

Q: Does Paolo Veronese have other names or aliases?
A: Yes. Recorded aliases include Paolo Cagliari, Paolo Caliari, Il Veronese, P. Veronese, Paolo Veronees, Paolo Veroneze, Pablo Verones, and Pavolo Veronese.

Q: Is there any non-art legacy linked to his name?
A: A shade of green, "Paolo Veronese green," is named after him.

Q: Which notable works are most frequently cited?
A: The Wedding at Cana, The Feast in the House of Levi, The Finding of Moses, and The Allegory of Love are repeatedly noted among his major works.

## Why They Matter
Paolo Veronese matters because he produced a prolific body of work central to Venetian Renaissance painting and the European visual heritage. His large-scale history and religious canvases, such as The Wedding at Cana and The Feast in the House of Levi, exemplify the grandeur and theatricality of Venetian painting in the 16th century. Veronese’s decorative cycles—most notably his association with Villa Barbaro—demonstrate his role in integrating painting with architecture and interior decoration of Palladian villas. The presence of his works in leading national museums in France, Spain, Italy, and the United Kingdom shows continued recognition and curatorial importance. An eponymous color ("Paolo Veronese green") signals the distinctive palette historically associated with his work. Datasets and reference lists that pair him with later and contemporary artists (from Domenico Riccio and Giovanni Battista Zelotti to Peter Paul Rubens and artists of later centuries) reflect a long-standing relevance in art history catalogues and collection histories.

## Notable For
- Being a central Italian painter of the Renaissance (1528–1588) with a wide-ranging oeuvre in history painting, religious art, and portraiture.
- Major paintings: The Wedding at Cana (c. 1560/1563) and The Feast in the House of Levi (1573).
- Decorative commissions including association with Villa Barbaro (inception: 1550), a Palladian villa at Maser, Italy.
- Series and allegorical works such as The Allegory of Love (c. 1570).
- Works held by major collections: National Gallery (London), Louvre (Paris), Prado (Madrid), Galleria Palatina (Florence), and Brera Gallery (Milan).
- A color named after him: Paolo Veronese green.
- Recorded under multiple aliases including Paolo Cagliari and Paolo Caliari.

## Body

### Early life
- Birth year is given as 1528; no place of birth or detailed family background is provided in the source material.
- He is identified broadly as an Italian painter of the Renaissance.

### Career overview
- Paolo Veronese’s career spanned the mid-16th century into the late 1580s. Works in the source are dated from at least 1548 (The Conversion of Mary Magdalene) through 1584 (Cephalus and Procris) and 1580s groupings.
- He is documented as a painter, draftsperson, architectural draftsperson, and visual artist. His oeuvre includes portraits, history paintings, religious scenes, allegories, and decorative commissions.

### Major works and dates (selected, drawn from source)
- The Conversion of Mary Magdalene — inception: 1548.
- Supper at Emmaus — inception: 1559; noted in the Louvre collection.
- Portrait of a gentleman in a fur — inception: 1558; in the Galleria Palatina, Florence.
- The Wedding at Cana — inception: 1560 (alternate date 1563); listed with country  (France) among locations.
- Raising the Young Man of Nain — inception: 1560.
- Christ Among the Doctors — inception: 1560.
- Saint John the Baptist Preaching — inception: 1562.
- The Family of Darius Before Alexander — inception: 1565.
- The Feast in the House of Simon the Pharisee — inception: 1565; another version/in situ listing for Brera Gallery (1570).
- Allegory of Wisdom and Strength — inception: 1565.
- Allegory of Virtue and Vice — inception: 1565.
- The Allegory of Love — series of four paintings (inception: 1570).
- Venus and Mars — inception: 1570.
- Allegory of the Battle of Lepanto — inception: 1571.
- Portrait of Agostino Barbarigo — inception: 1571.
- Adoration of the Magi — inception: 1573; National Gallery, London.
- The Feast in the House of Levi — 1573.
- The Annunciation — inception: 1578.
- Venus and Adonis — inception: 1580.
- The Vision of St. Helena — inception: 1580.
- The Finding of Moses — inception: 1580; associated with the Prado.
- Mars and Venus with Cupid and a Dog — inception: 1580.
- Susannah and the Elders — inception: 1580.
- Bathsheba at Her Bath — multiple datings listed (inceptions: 1550; 1575; 1580).
- Lucretia — inception: 1580.
- Cephalus and Procris — inception: 1584.
- Several entries repeat works or list alternate versions and locations; these entries reflect the breadth and reworking of certain biblical and mythological themes across his career.

### Commissions and locations
- Villa Barbaro (Palladian villa at Maser, Italy; inception: 1550) is listed among places associated with Veronese’s work or decoration.
- National and major museum holdings of his paintings include:
  - National Gallery, London — Adoration of the Magi (1573).
  - Louvre, France — Supper at Emmaus (1559).
  - Prado, Spain — The Finding of Moses (1580).
  - Galleria Palatina, Florence — Portrait of a gentleman in a fur (1558).
  - Brera Gallery, Milan — The Feast in the House of Simon the Pharisee (1570, Brera listing).

### Themes and style (as indicated by works)
- Recurrent biblical subjects: The Wedding at Cana, Adoration of the Magi, Raising the Young Man of Nain, The Finding of Moses, Supper at Emmaus, The Conversion of Mary Magdalene, Susannah and the Elders.
- Allegorical and mythological subjects: The Allegory of Love, Venus and Mars, Venus and Adonis, Mars and Venus with Cupid and a Dog, Cephalus and Procris, Lucretia.
- Portraiture: Portrait of a gentleman in a fur; Portrait of Agostino Barbarigo; Portrait of a Venetian Woman (La Belle Nani).
- Large-scale civic and religious commissions: The Feast in the House of Levi and related feast scenes demonstrate an emphasis on monumental group compositions and ceremonial narratives.

### Associated people and dataset relationships
- Artists and persons listed in association include:
  - Domenico Riccio — Italian painter (1516–1567).
  - Giovanni Battista Zelotti — Italian painter (1526–1578).
  - Paolo Farinati — Italian painter, engraver and architect (1524–1606).
  - Peter Paul Rubens — Flemish painter (1577–1640).
  - Alessandro Varotari — Italian painter (1588–1649).
  - Nicolas Vleughels — French painter (1668–1737).
  - Vasily Polenov — Russian artist (1844–1927).
  - Henri Fantin-Latour — French painter and printmaker (1836–1904).
- The dataset records these individuals under a "Key People" grouping, indicating notable artists and later figures connected within the reference network.

### Names, identifiers, and catalog data
- Aliases and name variants recorded: Paolo Cagliari; Paolo Caliari; Veronese; Paolo Veronese (Paolo Caliari); Il Veronese; P. Veronese; Paolo Veronees; Paolo Veroneze; Pablo Verones; Pavolo Veronese.
- Wikipedia title: Paolo Veronese.
- Wikidata description: Italian painter of the Renaissance (1528–1588).
- Sitelink_count (dataset): 79.

### Legacy
- Paolo Veronese’s paintings are part of major European national and museum collections, ensuring continued scholarly and public access.
- A pigment/shade name, Paolo Veronese green, preserves an aspect of his aesthetic in material culture.
- His body of work includes canonical Renaissance compositions that remain reference points for studies of Venetian painting, monumental history painting, and fresco/decoration in domestic and civic architecture (e.g., Villa Barbaro).

### Exhaustive list of works referenced in the source
- The Conversion of Mary Magdalene (1548)
- Portrait of a gentleman in a fur (1558) — Galleria Palatina, Florence
- Supper at Emmaus (1559) — Louvre
- The Wedding at Cana (1560 / 1563) — noted presence in French collections
- Raising the Young Man of Nain (1560)
- Christ Among the Doctors (1560)
- Saint John the Baptist Preaching (1562)
- The Feast in the House of Simon the Pharisee (1565; Brera version 1570)
- The Family of Darius Before Alexander (1565)
- Allegory of Wisdom and Strength (1565)
- Allegory of Virtue and Vice (1565)
- The Allegory of Love (series, c. 1570)
- Venus and Mars (c. 1570)
- Allegory of the Battle of Lepanto (1571)
- Portrait of Agostino Barbarigo (1571)
- Adoration of the Magi (1573) — National Gallery, London
- The Feast in the House of Levi (1573)
- The Annunciation (1578)
- Venus and Adonis (1580)
- The Vision of St. Helena (1580)
- The Finding of Moses (1580) — Prado
- Mars and Venus with Cupid and a Dog (1580)
- Susannah and the Elders (1580)
- Bathsheba at Her Bath (dates variably given: 1550; 1575; 1580)
- Lucretia (1580)
- Cephalus and Procris (1584)
- Portrait of a Venetian Woman, called La Belle Nani (c. 1560)
- Villa Barbaro — Palladian villa at Maser, Italy (inception c. 1550) — associated with Veronese’s decorative work

(Entries above reflect all works and commissions explicitly listed in the provided source material.)

### Final notes
- All items above are drawn from the supplied dataset about Paolo Veronese. No facts, dates, or attributions beyond those provided in the source material have been added.

## References

1. RKDartists
2. Virtual International Authority File
3. KulturNav. 2016
4. Union List of Artist Names
5. [Source](https://www.museabrugge.be/collection/work/id/0000_GRO5568_III)
6. The Fine Art Archive
7. [Source](https://www.nationalgallery.org.uk/artists/paolo-veronese)
8. National Gallery of Art - Collection
9. International Standard Name Identifier
10. Japan Search
11. CiNii Research
12. MusicBrainz
13. Dizionario Biografico degli Italiani
14. Encyclopædia Britannica Online
15. Benezit Dictionary of Artists
16. SNAC
17. Find a Grave
18. Freebase Data Dumps. 2013
19. artist list of the National Museum of Sweden. 2016
20. [Source](http://digitale.beic.it/primo_library/libweb/action/search.do?fn=search&vid=BEIC&vl%283134987UI0%29=creator&vl%28freeText0%29=Veronese%20Paolo)
21. CONOR.SI
22. [Source](https://www.treccani.it/enciclopedia/paolo-veronese)
23. LIBRIS. 2013
24. [Source](http://pba-opacweb.lille.fr/fr/search-notice?type=list&filters%5Bfacets.id%5D%5B%5D=5cc2aedf5c0284355b8b46d1)
25. [Source](https://collections.frick.org/people/175/paolo-veronese/objects)
26. Metropolitan Museum of Art
27. [Source](https://encyklopedia.pwn.pl/haslo/Veronese-Paolo;3992583.html)
28. Bibliography of the History of the Czech Lands
29. [Source](https://library.nga.gov/permalink/01NGA_INST/1cl1g8d/alma99829753504896)