# Monstrous Weather

> creative work by Mark C. Marino, Rob Wittig

**Wikidata**: [Q132204808](https://www.wikidata.org/wiki/Q132204808)  
**Source**: https://4ort.xyz/entity/monstrous-weather

## Summary
Monstrous Weather is a locative media creative work and web application developed by Mark C. Marino and Rob Wittig, released in 2016. It transforms environmental data into an immersive narrative experience accessed through a web browser.

## Key Facts
- **Authors:** Mark C. Marino and Rob Wittig
- **Publication Date:** 2016
- **ELMCIP ID:** 14176
- **Instance Of:** Creative Work, Application
- **Media Modality:** Locative Media
- **Distribution Format:** Web Page
- **Software Engine:** Q13166 (specific engine type not detailed in source)
- **Related Class:** Application (a software program/group designed for end-users)

## FAQs
### Q: What is Monstrous Weather?
A: Monstrous Weather is a locative media creative work accessible as a web application. It uses environmental data to create an immersive narrative experience.

### Q: Who created Monstrous Weather?
A: Monstrous Weather was created by Mark C. Marino and Rob Wittig, both listed as authors.

### Q: When was Monstrous Weather released?
A: Monstrous Weather was published in 2016.

### Q: How can I experience Monstrous Weather?
A: It is experienced as a web page, accessible through a standard web browser.

### Q: What category does Monstrous Weather belong to?
A: It is classified as both a creative work and an application, specifically categorized as locative media.

## Why It Matters
Monstrous Matter is significant as it exemplifies the integration of locative media techniques with environmental data to create an accessible digital narrative. As a web-based application, it represents a practical approach to locative media, removing the need for specialized hardware and making it widely available. Its classification as both a creative work and an application highlights the blurring lines between art and software in the digital humanities. Created by scholars like Marino and Wittig, it contributes to the exploration of how digital tools can transform environmental perception and storytelling, particularly through the lens of locative, situated experiences accessible via standard web technology.

## Notable For
- Being a **locative media** creative work accessible purely via a **web page**, requiring no specialized software or hardware beyond a browser.
- Its **dual classification** as both a "creative work" and an "application," bridging artistic expression and software design.
- Development by **Mark C. Marino and Rob Wittig**, scholars recognized in the digital humanities and electronic literature communities.
- Its **2016** publication date placing it within a significant period of web-based locative media experimentation.
- Its inclusion in the **ELMCIP (Electronic Literature as a Model of Creativity and Innovation in Practice)** archive (ID: 14176), signifying its recognition in the field of electronic literature.

## Body
### Overview
Monstrous Weather is a digital artifact created by Mark C. Marino and Rob Wittig. It functions simultaneously as a creative work and an application.

### Technical Details
*   **Format:** Distributed as a web page.
*   **Access:** Requires only a standard web browser; no specialized installation is needed.
*   **Classification:** Explicitly categorized as both a "creative work" and an "application" (software program/group designed for end-users).
*   **Media Type:** Classified specifically as "locative media," indicating it is designed for use in a specific physical location to enhance the experience.
*   **Software Engine:** Associated with software engine Q13166, though the specific engine name or version is not detailed in the source.

### Context
*   **Authors:** Mark C. Marino and Rob Wittig are consistently credited as the creators.
*   **Recognition:** Identified with the ELMCIP electronic literature archive under the ID 14176.
*   **Date:** Published in the year 2016.
*   **Significance:** Its categorization and publication reflect its place within the field of locative media and digital humanities, leveraging web technology for situated narrative experiences.