# Louisa Ulrika of Prussia

> Swedish queen (1720-1782)

**Wikidata**: [Q234251](https://www.wikidata.org/wiki/Q234251)  
**Wikipedia**: [English](https://en.wikipedia.org/wiki/Louisa_Ulrika_of_Prussia)  
**Source**: https://4ort.xyz/entity/louisa-ulrika-of-prussia

## Summary
Louisa Ulrika of Prussia was Queen of Sweden from 1744 to 1771 as the consort of King Adolf Frederick. Born into the House of Hohenzollern, she played a significant cultural and political role in 18th-century Sweden, notably as a patron of the arts and a prominent salonnière. Her influence helped shape the Swedish Enlightenment and court culture.

## Biography
- **Born**: July 24, 1720  
- **Died**: July 16, 1782  
- **Nationality**: Swedish (by marriage)  
- **Known for**: Queen consort of Sweden, cultural patron, and salonnière  
- **Employer(s)**: Swedish monarchy  
- **Field(s)**: Monarchy, arts patronage  

## Contributions
Louisa Ulrika of Prussia established herself as a key cultural figure in Sweden, promoting intellectual and artistic endeavors through her salon. She supported writers, artists, and thinkers, contributing to the spread of Enlightenment ideas in Sweden. Her patronage included commissioning portrait paintings and fostering court culture, though specific works or institutions directly founded by her are not detailed in the source material. As queen consort, she influenced court life and maintained diplomatic ties between Sweden and Prussia.

## FAQs
**When did Louisa Ulrika of Prussia reign as queen?**  
She served as queen consort from 1744 until her husband Adolf Frederick's death in 1771.  

**What was her cultural role in Sweden?**  
She acted as a salonnière, hosting gatherings that promoted intellectual discourse and arts, aligning with Enlightenment values.  

**How was she connected to Ulrika Eleonora I of Sweden?**  
Ulrika Eleonora I preceded her as queen regnant (1718–1720) and was part of the Swedish royal lineage that Louisa Ulrika joined through marriage.  

**What titles did she hold?**  
She was Princess of Prussia by birth and Queen Consort of Sweden through her marriage to Adolf Frederick.  

## Why They Matter
Louisa Ulrika of Prussia left a lasting impact on Swedish cultural and intellectual life. Her salon activities and patronage of the arts helped integrate Sweden into broader European Enlightenment movements. As a member of the Hohenzollern dynasty, she also symbolized Prussian-Swedish diplomatic connections. Her role as queen consort underscored the importance of cultural leadership within monarchy, shaping court dynamics and fostering creativity during her tenure.

## Notable For
- Queen consort of Sweden (1744–1771)  
- Prominent salonnière and arts patron  
- Member of the House of Hohenzollern  
- Cultural bridge between Prussia and Sweden  
- Supporter of Enlightenment ideals in Sweden  

## Body

### Early Life and Background  
Louisa Ulrika was born on July 24, 1720, in Prussia, a member of the House of Hohenzollern. Her early life was influenced by her family’s royal status, preparing her for a role in European court politics.  

### Reign as Queen Consort  
She married Adolf Frederick of Sweden in 1744, becoming queen consort. Her tenure saw her engage deeply in cultural patronage, hosting salons that attracted intellectuals and artists. These gatherings facilitated the exchange of Enlightenment ideas, contributing to Sweden’s intellectual growth.  

### Cultural Influence  
As a salonnière, Louisa Ulrika promoted literature, art, and science. She commissioned portraits and supported court painters, though specific artworks are not detailed in the source material. Her efforts reinforced Sweden’s reputation as a hub of cultural activity during the 18th century.  

### Political and Diplomatic Role  
While her direct political power was limited as consort, her Prussian heritage maintained diplomatic ties between Sweden and Prussia. Her marriage strengthened alliances, reflecting the strategic unions common among European monarchies.  

### Legacy  
Louisa Ulrika’s legacy lies in her cultural contributions rather than political reforms. She exemplified the Enlightenment-era monarch who valued intellectual pursuits alongside governance. Her support for the arts and ideas helped lay groundwork for Sweden’s continued cultural evolution, even as her political influence remained indirect.  

### Connected Entities  
- **Adolf Frederick**: King of Sweden (1751–1771), her spouse.  
- **Ulrika Eleonora I of Sweden**: Preceding queen regnant (1718–1720).  
- **House of Hohenzollern**: Prussian royal family of her birth.  
- **Sweden**: Country she influenced through cultural patronage.  

### Artistic Patronage  
While specific commissions are not enumerated, her association with portrait painting (e.g., works by Antoine Pesne) highlights her role in supporting visual arts. Portraits of her, such as *Louise Ulrike of Prussia* (1744), reflect her status and cultural engagement.  

### Historical Context  
Her life spanned a period of Swedish recovery post-Great Northern War, during which cultural revitalization complemented political rebuilding. Her Prussian background situated her within broader European royal networks, emphasizing the interconnectedness of 18th-century monarchies.

## References

1. Lovisa Ulrika. Dictionary of Swedish National Biography
2. BiographySampo
3. The National Biography of Finland
4. Integrated Authority File
5. Union List of Artist Names. 2014
6. The Peerage
7. Biografiskt lexikon för Finland
8. Riddarholmskyrkan - inventories and graves
9. general catalog of BnF
10. Virtual International Authority File
11. [Source](https://kalliope-verbund.info/DE-611-BF-97212)
12. Find a Grave
13. FemBio database
14. Brockhaus Enzyklopädie
15. Artists of the World Online
16. Lovisa Ulrika. Biografiskt lexikon för Finland
17. Freebase Data Dumps. 2013
18. Swedish Open Cultural Heritage
19. IdRef
20. CERL Thesaurus
21. LIBRIS. 2012
22. Golden
23. Sejm-Wielki.pl