# Liedertafel zu Leipzig
**Wikidata**: [Q19965098](https://www.wikidata.org/wiki/Q19965098)  
**Source**: https://4ort.xyz/entity/liedertafel-zu-leipzig

## Summary  
The Liedertafel zu Leipzig was a men's choir based in Leipzig, founded on October 24, 1815, by Jakob Bernhard Limburger. It operated during the early 19th century in the Kingdom of Saxony and was dissolved in 1846.

## Key Facts  
- Founded on **October 24, 1815**  
- Located in **Leipzig**, Kingdom of Saxony  
- Founded by **Jakob Bernhard Limburger**  
- Classified as a **choir** (instance_of: choir)  
- Operated until dissolution in **1846**  
- GND ID: **1271809850**  
- Google Knowledge Graph ID: **/g/11b7f28kj2**  
- Wikipedia language coverage: **German (de)**  
- Sitelink count: **1**

## FAQs  
### Q: What was the Liedertafel zu Leipzig?  
A: The Liedertafel zu Leipzig was a male voice choir established in 1815 in Leipzig. It played a role in the city’s musical culture during the early 19th century and was dissolved in 1846.

### Q: Who founded the Liedertafel zu Leipzig?  
A: It was founded by Jakob Bernhard Limburger on October 24, 1815.

### Q: Where was the Liedertafel zu Leipzig active?  
A: The choir was based in Leipzig, which at the time was part of the Kingdom of Saxony.

## Why It Matters  
The Liedertafel zu Leipzig represents an important chapter in the cultural and musical history of Leipzig during the early 19th century. As one of many German singing societies (Liedertafeln) that emerged following the Napoleonic Wars, it contributed to the revival of communal choral music and civic engagement through song. These choirs often performed works by prominent composers and helped foster national sentiment through folk songs and patriotic tunes. Though short-lived, such groups laid the groundwork for later choral traditions in Germany and influenced the broader European movement of amateur vocal ensembles.

## Notable For  
- Being among the earliest organized male choirs in post-Napoleonic Leipzig  
- Founding by Jakob Bernhard Limburger, a notable figure in regional choral activity  
- Part of the broader 19th-century German Liedertafel movement promoting communal singing  
- Documented existence with clear inception and dissolution dates (1815–1846)  
- Recognized in authoritative databases including GND and Google Knowledge Graph  

## Body  

### History and Foundation  
The Liedertafel zu Leipzig was formally founded on **October 24, 1815**, shortly after the end of the Napoleonic Wars. This period saw a surge in public interest in communal singing associations across German-speaking regions, driven partly by rising nationalism and cultural revival movements.

### Founder  
It was established under the leadership of **Jakob Bernhard Limburger**, who played a key organizing role in forming the group. His involvement situates the Liedertafel within local efforts to promote choral music as both artistic expression and social activity.

### Location and Context  
Based in **Leipzig**, then part of the **Kingdom of Saxony**, the choir participated in the city's rich musical tradition, which included connections to composers like Bach and Mendelssohn. Leipzig was also home to other significant musical institutions and societies of the era.

### Structure and Activity  
As a **men’s choir**, the Liedertafel followed the typical model of Liedertafeln—amateur singing societies focused on performing four-part harmonized songs. Repertoires generally included German folk songs, art songs, and occasionally sacred or patriotic pieces.

### Dissolution  
The Liedertafel zu Leipzig ceased operations in **1846**, approximately thirty years after its founding. While specific reasons for its dissolution are not detailed in available sources, shifts in political climate, changing cultural interests, or internal organizational challenges may have contributed.

### Legacy and Recognition  
Despite its relatively brief existence, the group is recognized today through archival identifiers such as:
- **GND ID**: 1271809850
- **Google Knowledge Graph ID**: /g/11b7f28kj2

Its mention in German-language resources underscores its historical relevance within the context of 19th-century German choral culture.