# Kavanaugh Haunted my Frieze London 2018 #Arthack

> creative work by Marjan Moghaddam

**Wikidata**: [Q132221009](https://www.wikidata.org/wiki/Q132221009)  
**Source**: https://4ort.xyz/entity/kavanaugh-haunted-my-frieze-london-2018-arthack

## Summary
Kavanaugh Haunted my Frieze London 2018 #Arthack is a 2018 creative work and application by artist Marjan Moghaddam, produced for Frieze London. It utilizes 3D animation software and was published via social networking platforms, blending art with digital activism under the #Arthack context. The work engages with timely sociopolitical themes, such as the Brett Kavanaugh U.S. Supreme Court confirmation hearings.

## Key Facts
- **Creator**: Marjan Moghaddam.  
- **Publication Date**: 2018.  
- **Software Engines**: LightWave 3D and Octane Render.  
- **Published In**: Social networking service.  
- **ELMCIP ID**: 15470.  
- **Classifications**: Instance of "creative work" and "application."  
- **Context**: Part of Frieze London 2018, tagged with #Arthack.  

## FAQs
### Q: Who created Kavanaugh Haunted my Frieze London 2018 #Arthack?
A: The work was created by artist Marjan Moghaddam in 2018.  

### Q: What software was used to develop the piece?
A: It was made using LightWave 3D and Octane Render software engines.  

### Q: Where was the work published?
A: It was published via a social networking service, aligning with its digital-native format.  

## Why It Matters
Kavanaugh Haunted my Frieze London 2018 #Arthack stands out as an intersection of digital art, activism, and real-time sociopolitical commentary. Created during the contentious Brett Kavanaugh Supreme Court confirmation hearings, the work exemplifies how artists engage with urgent cultural moments through technology. By leveraging 3D animation tools and social media platforms, Moghaddam’s piece demonstrates the evolving role of digital art in public discourse. It also highlights the #Arthack movement’s focus on subverting traditional art spaces, emphasizing accessibility and immediacy in the digital age. As a product of Frieze London—a major international art event—the work underscores the institutional recognition of new media art forms.

## Notable For
- Utilization of LightWave 3D and Octane Render for high-end visual production.  
- Direct engagement with the 2018 Kavanaugh hearings, merging news cycles with art.  
- Publication via social media, reflecting experimental distribution strategies.  
- Association with Frieze London and the #Arthack framework, linking institutional art spaces to digital activism.  

## Body
### Creation and Context
Kavanaugh Haunted my Frieze London 2018 #Arthack was developed by Marjan Moghaddam and released in 2018. The title references its connection to Frieze London, a prominent contemporary art fair, and the #Arthack tag, which denotes experimental or disruptive digital art practices. The work emerged amid the polarizing U.S. Supreme Court confirmation hearings of Brett Kavanaugh, incorporating themes of haunting and spectral presence to critique societal tensions.  

### Technical Specifications
- **Software**: Built using **LightWave 3D** (modeling/animation) and **Octane Render** (rendering engine).  
- **Format**: Functions as both a "creative work" and "application," indicating interactive or executable digital components.  

### Publication and Exhibition
- **Platform**: Distributed through a **social networking service**, emphasizing digital-first outreach over traditional gallery settings.  
- **Event**: Tied to Frieze London 2018, leveraging the fair’s visibility to amplify its sociopolitical messaging.  

### Artistic Significance
The piece exemplifies Moghaddam’s focus on **digital feminism** and **new media art**, using 3D animation to reimagine political narratives. By embedding the Kavanaugh controversy into an immersive digital format, the work challenges viewers to confront uncomfortable realities through innovative aesthetics. Its use of #Arthack situates it within a broader movement redefining art’s relationship to technology and activism.