# Hours of the Night

> creative work by M. D. Coverley, Stephanie Strickland

**Wikidata**: [Q132204259](https://www.wikidata.org/wiki/Q132204259)  
**Source**: https://4ort.xyz/entity/hours-of-the-night

## Summary  
Hours of the Night is a collaborative digital poetry work created by M. D. Coverley (Marjorie Luesebrink) and Stephanie Strickland, published in 2016. It combines literary and interactive elements, functioning as both a creative work and a software application designed for user engagement. The piece utilizes specific software engines and is distributed online, blending technology with poetic expression.  

## Key Facts  
- **Authors**: M. D. Coverley (Marjorie Luesebrink) and Stephanie Strickland.  
- **Publication Date**: 2016.  
- **Genre**: Digital poetry.  
- **Software Engines**: IrfanView and Roxio Creator.  
- **Distribution Format**: Web page.  
- **Publication Venues**: Academic journals and online art galleries.  
- **Language**: English.  
- **Classifications**: Creative work, application.  

## FAQs  
### Q: Who created Hours of the Night?  
A: The work was collaboratively authored by M. D. Coverley (Marjorie Luesebrink) and Stephanie Strickland, both recognized figures in digital literature.  

### Q: What makes Hours of the Night unique?  
A: It merges poetry with interactive technology, using software engines like IrfanView and Roxio Creator to create an immersive experience distinct from traditional print poetry.  

### Q: Where was Hours of the Night published?  
A: The work was published in academic journals and online art galleries, reflecting its dual identity as both a literary and digital art piece.  

## Why It Matters  
Hours of the Night is significant for its innovative fusion of poetry and digital interactivity, showcasing how technology can expand the boundaries of literary expression. As a collaborative project by two prominent digital poets, it exemplifies the evolving nature of 21st-century literature. By leveraging software tools and web-based distribution, the work challenges conventional formats and engages audiences in new ways, contributing to discussions about the future of art in the digital age. Its publication in academic and gallery contexts further underscores its value as a case study in interdisciplinary creativity.  

## Notable For  
- **Collaborative Innovation**: A unique partnership between two acclaimed digital poets.  
- **Technical Execution**: Utilizes IrfanView and Roxio Creator to blend visual and textual elements.  
- **Interactive Design**: Functions as both a creative work and a user-driven application.  
- **Cross-Platform Reach**: Published in academic and artistic venues, bridging literary and digital communities.  
- **Cultural Relevance**: Reflects the growing intersection of technology and art in contemporary culture.  

## Body  
### Creation and Collaboration  
Hours of the Night was developed through a partnership between M. D. Coverley (pen name of Marjorie Luesebrink) and Stephanie Strickland, both influential in the field of electronic literature. Their collaboration highlights the potential of co-creation in digital art.  

### Technical Specifications  
- **Software Engines**: The work relies on **IrfanView** (image viewing/editing) and **Roxio Creator** (media management), demonstrating how consumer software can be repurposed for artistic expression.  
- **Distribution**: Accessible via web page, ensuring broad reach and accessibility.  

### Publication Context  
Published in **2016**, the piece appeared in academic journals and online galleries, emphasizing its recognition in both scholarly and artistic circles. This dual publication strategy underscores its hybrid nature as a work of literature and technology.  

### Literary Significance  
As a work of **digital poetry**, Hours of the Night engages with themes of interactivity and multimedia storytelling. Its structure challenges readers to navigate digital interfaces, redefining the reader-poem relationship. The use of English as its primary language positions it within a global anglophone literary tradition while exploring modern digital aesthetics.  

### Classifications  
- **Instance Of**: Categorized as both a **creative work** and an **application**, reflecting its dual function as art and functional software.  
- **ELMCIP ID**: 11442 (a unique identifier in electronic literature databases).