# Heimlich Unheimlich

> creative work by Hazel Smith, Roger Dean, Sieglinde Karl-Spence

**Wikidata**: [Q132221407](https://www.wikidata.org/wiki/Q132221407)  
**Source**: https://4ort.xyz/entity/heimlich-unheimlich

## Summary
Heimlich Unheimlich is a digital poetry creative work developed in 2020 by Hazel Smith, Roger Dean, and Sieglinde Karl-Spence. This interactive application exists in an online art gallery and was programmed using both GNU Jitter and Max (programming language).

## Key Facts
- Genre: Digital poetry
- Created by: Hazel Smith, Roger Dean, and Sieglinde Karl-Spence
- Instance of: Creative work and application
- Publication date: 2020
- Published in: Online art gallery
- ELMCIP ID: 16099
- Programming languages: GNU Jitter and Max (programming language)
- Language: English

## FAQs
### Q: What is Heimlich Unheimlich?
A: Heimlich Unheimlich is a digital poetry creative work created in 2020 by Hazel Smith, Roger Dean, and Sieglinde Karl-Spence. It exists as both a creative work and an interactive application available in an online art gallery.

### Q: What programming languages were used to create Heimlich Unheimlich?
A: Heimlich Unheimlich was developed using GNU Jitter and Max (programming language), highlighting its technical innovation in the digital poetry space.

### Q: Where can I access Heimlich Unheimlich?
A: This creative work can be accessed through an online art gallery where it is displayed as a digital poetry application.

### Q: What makes Heimlich Unheimlich unique in the field of digital poetry?
A: Heimlich Unheimlich distinguishes itself through its interactive nature as both a creative work and functional application, merging poetic expression with technological execution through its implementation in GNU Jitter and Max.

## Why It Matters
Heimlich Unheimlich represents the intersection of traditional poetic expression with cutting-edge digital technology, exemplifying how computational creativity is expanding the boundaries of literary arts. As both a creative work and an application, it demonstrates how programming languages like GNU Jitter and Max can be harnessed for artistic expression beyond their conventional technical uses. The work's existence as digital poetry in an online gallery platform highlights the growing importance of digital spaces for artistic presentation and consumption in the contemporary art world. By being cataloged with ELMCIP ID 16099, it contributes to academic preservation efforts surrounding digital art forms, ensuring that this innovative fusion of language and technology is recognized and studied.

## Notable For
- Creation by the collaborative team of Hazel Smith, Roger Dean, and Sieglinde Karl-Spence, bringing together diverse expertise
- Implementation in GNU Jitter and Max (programming language), showcasing technical innovation in digital poetry
- Dual classification as both a creative work and an application, blurring the line between art and software
- Existence as an interactive digital poetry piece in an online gallery format
- Recognition with ELMCIP ID 16099, indicating its significance in the digital arts ecosystem

## Body
### Overview
Heimlich Unheimlich is a digital poetry creative work created in 2020 by Hazel Smith, Roger Dean, and Sieglinde Karl-Spence. The work exists as both a creative piece and an interactive application, published in an online art gallery. It represents the fusion of poetic expression with computational technology.

### Technical Implementation
- Programming languages: GNU Jitter and Max (programming language)
- Designed as an application, making it interactive rather than static poetry
- Exists as software that users can engage with beyond passive reading

### Classification and Documentation
- Genre: Digital poetry
- Instance of: Creative work and application
- ELMCIP ID: 16099 (Electronic Literature Making and Criticism in Practice)
- Language: English
- Publication date: 2020
- Published in: Online art gallery

### Collaborative Creation
- Authors: Hazel Smith, Roger Dean, and Sieglinde Karl-Spence
- Represents a collaborative effort between poets and programmers
- Author name string documented as Sieglinde Karl-Spence in academic sources

### Cultural Significance
- Demonstrates the evolution of poetry into digital, interactive formats
- Challenges traditional definitions of literature by incorporating computational elements
- Part of the growing movement toward digital preservation of artistic works
- Reflects the increasing blurring of boundaries between art and technology