# Flight of the CodeMonkeys

> creative work by Mark C. Marino

**Wikidata**: [Q132221197](https://www.wikidata.org/wiki/Q132221197)  
**Source**: https://4ort.xyz/entity/flight-of-the-codemonkeys

## Summary
**Flight of the CodeMonkeys** is a creative work and software application authored by Mark C. Marino. Published in 2020 within an academic journal context, the work is written in the Python programming language and depends on Jupyter Notebook software to function.

## Key Facts
- **Author:** Mark C. Marino.
- **Publication Date:** 2020.
- **Object Type:** Classified as both a creative work and a software application.
- **Platform:** Depends on Jupyter Notebook.
- **Programming Language:** Written in Python.
- **Language:** English.
- **Publication Venue:** Academic journal.
- **Identifier:** ELMCIP ID 15722.

## FAQs
### Q: What type of work is Flight of the CodeMonkeys?
A: It is classified dually as a creative work and a software application. This indicates it is a piece of executable software designed for an artistic or literary purpose.

### Q: Who created Flight of the CodeMonkeys?
A: The work was authored by Mark C. Marino. It is indexed under the ELMCIP knowledge base with the ID 15722.

### Q: What technology is required to run Flight of the CodeMonkeys?
A: The work is programmed in Python and specifically depends on Jupyter Notebook, an open-source web application, to operate.

## Why It Matters
Flight of the CodeMonkeys represents a specific intersection of creative authorship and software development, commonly found in the field of Electronic Literature. By classifying the entity as both a "creative work" and an "application," it highlights the evolving nature of academic and artistic output in the digital age—where the code itself constitutes the text.

The work is significant for its use of Jupyter Notebook, a tool traditionally utilized for data science and computational reproducibility, here repurposed for creative expression. This suggests that the work integrates executable code with narrative or scholarly text, a hallmark of "literate programming" or code poetry. Published in 2020, it serves as a modern example of how general-purpose programming languages like Python are being leveraged by artists and academics to create interactive, software-driven experiences within peer-reviewed contexts.

## Notable For
- **Hybrid Classification:** Distinctively categorized as both a creative work and a functional software application.
- **Technical Integration:** Notable for its specific dependency on Jupyter Notebook, a tool usually associated with scientific computing, applied here in a creative context.
- **Academic Context:** Published in an academic journal, bridging the gap between software utility and scholarly publication.
- **Python Implementation:** Utilizes Python, one of the world's most popular general-purpose programming languages, for creative ends.

## Body

### Authorship and Classification
Flight of the CodeMonkeys is a work of creative writing and software created by Mark C. Marino. In structured knowledge bases, it is uniquely defined by the intersection of two distinct classifications: it is both a **creative work** (suggesting artistic or literary intent) and an **application** (suggesting it is a functional program designed for end-users). The work is recorded in the ELMCIP (Electronic Literature as a Model of Creativity and Innovation in Practice) knowledge base under the ID 15722.

### Technical Specifications
The software is built upon the **Python** programming language. Python is a general-purpose, high-level programming language first released in 1991.
*   **Dependencies:** The application explicitly depends on **Jupyter Notebook**. This suggests the work is likely an interactive document containing live code, equations, visualizations, and narrative text.
*   **Language:** The work is composed in English.

### Publication Details
The work was published in **2020**. Unlike commercial software distributed via app stores or standalone executables, Flight of the CodeMonkeys was published in an **academic journal**. This mode of dissemination reinforces its status as a scholarly or experimental creative object rather than a commercial product.