# Femme Fatale > 2011 studio album by Britney Spears **Wikidata**: [Q167554](https://www.wikidata.org/wiki/Q167554) **Wikipedia**: [English](https://en.wikipedia.org/wiki/Femme_Fatale_(Britney_Spears_album)) **Source**: https://4ort.xyz/entity/femme-fatale-q167554 ## Summary Femme Fatale is the seventh studio album by American pop singer Britney Spears, released on March 25, 2011, by Jive Records. The album represents Spears's third and final release with Jive Records before the label's dissolution in 2011, and features a predominantly electropop and dance-pop sound that marked a departure from the more R&B-influenced approach of her previous work. Femme Fatale debuted at number one on the Billboard 200 chart, making it Spears's seventh consecutive number-one album, and produced several hit singles including "Hold It Against Me," "Till the World Ends," and "I Wanna Go." ## Key Facts - **Album Title**: Femme Fatale - **Artist**: Britney Spears - **Release Date**: March 25, 2011 - **Record Label**: Jive Records - **Genre**: Electropop, dance-pop, pop - **Format**: CD, digital download, vinyl - **Studio Album**: Seventh studio album by Britney Spears - **Wikipedia Title**: Femme Fatale (Britney Spears album) - **Website**: http://www.britneyspears.com - **Sitelink Count**: 49 - **Chart Position**: Debuted at #1 on Billboard 200 - **Predecessor**: Circus (2008) - **Label Status**: Released under Jive Records, which was dissolved in 2011 ## FAQs - **What record label released Femme Fatale?** Femme Fatale was released by Jive Records, an American record label founded in 1977 by Clive Calder and headquartered in New York City. Jive Records specialized in hip-hop and R&B music before eventually becoming a major pop music label, and was owned by the Zomba Group of Companies and later Sony Music before its dissolution in 2011. - **What genres does Femme Fatale belong to?** Femme Fatale is primarily classified as an electropop and dance-pop album, with elements of pop music. Electropop emerged in the late 1970s and gained mainstream popularity in the mid-2000s, defined by its crisp, compressed synthesizer sounds and warm, crunchy production style. Dance-pop, which originated in the early 1980s, is a dance-oriented pop music style that heavily influenced the album's sound. - **What singles were released from Femme Fatale?** The album produced several singles, including "Hold It Against Me" (2011), "Till the World Ends" (2011), "I Wanna Go" (2011), "Criminal" (2011), and "Big Fat Bass" (2011). These tracks represent the various musical styles present on the album and contributed to its commercial success. - **How did Femme Fatale perform commercially?** Femme Fatale debuted at number one on the Billboard 200 chart, making it Britney Spears's seventh consecutive number-one album. This achievement solidified Spears's position as one of the most successful artists in pop music history and demonstrated her continued commercial viability in the music industry. - **What makes Femme Fatale significant in Britney Spears's discography?** Femme Fatale is notable as Spears's third and final album with Jive Records, as the label was dissolved in 2011. The album also represents a shift toward a more electropop and dance-pop sound, moving away from the R&B influences of her earlier work and aligning with the dominant pop music trends of the early 2010s. - **How does Femme Fatale relate to other albums in the pop music genre?** As a pop music album released in 2011, Femme Fatale participates in the broader landscape of popular music, which has been a dominant genre since its inception in the 1950s. The album's electropop and dance-pop elements place it within specific subgenres that gained significant popularity during the early 2010s. ## Why It Matters Femme Fatale matters as a pivotal moment in Britney Spears's career and in the evolution of pop music during the early 2010s. The album marked Spears's continued artistic evolution, showcasing her ability to adapt to changing musical trends while maintaining her signature pop sensibility. As her seventh studio album, Femme Fatale demonstrated remarkable commercial longevity in an industry where few artists maintain chart success across multiple decades. The album's release under Jive Records adds historical significance, as it represents one of the final major releases from a label that played a crucial role in the development of hip-hop and R&B music since the 1970s. Jive Records was instrumental in launching the careers of influential artists such as Run-DMC, LL Cool J, Salt-N-Pepa, The Notorious B.I.G., and Mary J. Blige, and its dissolution in 2011 marked the end of an era in the music industry. Femme Fatale also reflects the broader shift in pop music toward electropop and dance-pop sounds that dominated the early 2010s. The album's production, characterized by its crisp synthesizer sounds and dance-oriented production style, exemplifies the electropop genre that emerged in the late 1970s and gained mainstream popularity in the mid-2000s. This musical direction influenced the trajectory of pop music and set the stage for the electronic dance music-influenced pop that would dominate the later part of the decade. ## Notable For - **Seventh Studio Album**: Femme Fatale is Britney Spears's seventh studio album, demonstrating remarkable longevity in the music industry. - **Commercial Success**: Debuted at #1 on the Billboard 200, making it Spears's seventh consecutive number-one album. - **Electropop Direction**: Represents a significant shift toward electropop and dance-pop sounds, aligning with early 2010s pop music trends. - **Final Jive Records Release**: One of the last albums released by Jive Records before its dissolution in 2011. - **Hit Singles**: Produced multiple successful singles including "Hold It Against Me," "Till the World Ends," and "I Wanna Go." - **Strong Sitelink Presence**: With a sitelink count of 49, the album maintains significant online presence and cultural relevance. ## Body ### Release and Production Femme Fatale was released on March 25, 2011, by Jive Records, marking Britney Spears's seventh studio album and her third and final release with the label. The album was produced during a period of significant transition in the music industry, as Jive Records was approaching its dissolution later that year. The recording process involved collaboration with various producers and songwriters who contributed to the album's electropop and dance-pop sound. The album's title, Femme Fatale, references the concept of a mysterious and seductive woman, a theme that Spears had explored throughout her career. The album's artwork and promotional materials reflected this theme, featuring Spears in provocative poses that aligned with the album's conceptual framework. ### Musical Style and Genre Femme Fatale is primarily classified within the electropop and dance-pop genres, with elements of pop music throughout. Electropop, which emerged in the late 1970s and gained mainstream popularity in the mid-2000s, is defined by its crisp, compressed synthesizer sounds and warm, crunchy production style. The genre represents a fusion of electronic music and pop, characterized by prominent synthesizer usage and dance-oriented rhythms. Dance-pop, which originated in the early 1980s, is a dance-oriented pop music style that emphasizes rhythmic beats and club-friendly production. Both genres heavily influenced the sound of Femme Fatale, resulting in an album that blends electronic production with Spears's signature pop vocals. The album's musical direction represented a departure from Spears's earlier work, which incorporated more R&B influences. Instead, Femme Fatale embraced the electronic sounds that were dominating pop music in the early 2010s, aligning Spears with contemporary artists who were also exploring electropop and dance-pop territories. ### Record Label Context Femme Fatale was released by Jive Records, an American record label founded in 1977 by Clive Calder and headquartered in New York City. Jive Records initially specialized in hip-hop and R&B music, becoming a major player in these genres during the 1980s and 1990s. The label was known for signing and promoting influential artists who helped shape the sound and culture of hip-hop, including Run-DMC, LL Cool J, Salt-N-Pepa, The Notorious B.I.G., and Mary J. Blige. Jive Records was initially owned by the Zomba Group of Companies and later became a subsidiary of Sony Music, two major players in the music industry. The label's infrastructure and industry connections provided Spears with significant promotional support and distribution capabilities for Femme Fatale. However, Jive Records was dissolved in 2011, making Femme Fatale one of the final albums released by the label. This dissolution marked the end of an era in the music industry, as Jive Records had played a significant role in the development of hip-hop and R&B music since the late 1970s. Spears would subsequently move to other labels for her future releases. ### Singles and Promotions Femme Fatale produced several singles that contributed to the album's commercial success. The lead single, "Hold It Against Me," was released in 2011 and achieved strong chart performance. "Till the World Ends," released the same year, became one of the album's most successful singles, reaching high positions on charts worldwide. "I Wanna Go" followed as another major single, while "Criminal" and "Big Fat Bass" completed the set of releases from the album. Each single represented different aspects of the album's musical diversity, from the dancefloor-ready beats of "Till the World Ends" to the more experimental production of "Big Fat Bass." The singles received extensive radio play and were supported by music videos that featured Spears's signature dance performances and visual storytelling. ### Commercial Performance Femme Fatale debuted at number one on the Billboard 200 chart, making it Britney Spears's seventh consecutive number-one album. This achievement underscored Spears's remarkable commercial longevity and her ability to maintain chart success across multiple decades and musical eras. The album's performance was particularly notable given the competitive landscape of pop music in 2011, which featured numerous high-profile releases from other major artists. The commercial success of Femme Fatale was supported by Spears's extensive promotional efforts, including television performances, interviews, and international tour dates. The album's singles also performed well on various charts, contributing to the overall commercial performance and reinforcing Spears's status as a pop music icon. ### Cultural Impact and Legacy Femme Fatale represents a significant moment in Britney Spears's career and in the evolution of pop music during the early 2010s. The album's electropop direction influenced the trajectory of pop music, helping to popularize electronic sounds and dance-oriented production that would dominate the later part of the decade. The album also reflects the broader cultural context of pop music in 2011, a period characterized by the rise of digital music platforms and changing consumer behaviors. Femme Fatale's success demonstrated Spears's ability to adapt to these changes while maintaining her artistic identity. As one of the final releases from Jive Records, Femme Fatale holds historical significance in the context of the music industry's evolution. The label's dissolution in 2011 marked the end of a major independent record company that had played a crucial role in launching and promoting influential artists across multiple genres. ### Technical Details Femme Fatale was released in multiple formats to accommodate different consumer preferences, including CD, digital download, and vinyl configurations. The album's production utilized contemporary recording techniques and digital audio workstations that were standard in the early 2010s, resulting in a polished and radio-ready sound. The album's duration and track listing were consistent with standard pop album releases of the period, typically featuring approximately 10-12 tracks with a total runtime of around 40-50 minutes. The digital release included additional content and bonus tracks that were exclusive to digital platforms. ### Online Presence Femme Fatale maintains significant online presence, with a sitelink count of 49 indicating substantial coverage across various websites and platforms. The album's Wikipedia page, titled "Femme Fatale (Britney Spears album)," serves as a primary source of information for fans and researchers. The official website for Britney Spears, http://www.britneyspears.com, provides additional information about the album and its promotional materials. The album's Wikidata entry includes structured data such as the publication date (+2011-03-25T00:00:00Z), genre classifications, and relationship information. This structured data facilitates integration with other knowledge bases and enables automated retrieval of album information across different platforms and applications. ### Relationship to Other Works Femme Fatale serves as a successor to Spears's 2008 album Circus, which also achieved commercial success and featured a similar pop-oriented sound. The album represents a continuation of Spears's artistic evolution, building upon the foundation established by her earlier releases while exploring new musical directions. The singles from Femme Fatale are connected to the album as child entities, including "I Wanna Go," "Criminal," "Hold It Against Me," "Till the World Ends," and "Big Fat Bass." These songs represent the album's musical diversity and contributed to its overall commercial performance. Femme Fatale exists within the broader context of pop music as a genre, which has been a dominant force in the music industry since its inception in the 1950s. The album's classification within the pop, electropop, and dance-pop genres connects it to a rich tradition of popular music that has evolved significantly over the decades. ## References 1. MusicBrainz 2. Freebase Data Dumps. 2013 3. [AllMusic](https://www.allmusic.com/album/mw0002110484) 4. Apple Music 5. BabelNet 6. Deezer 7. Tidal 8. Album of the Year 9. Rate Your Music 10. AnyDecentMusic?