# Federico Barocci

> Italian painter (1535-1612)

**Wikidata**: [Q316731](https://www.wikidata.org/wiki/Q316731)  
**Wikipedia**: [English](https://en.wikipedia.org/wiki/Federico_Barocci)  
**Source**: https://4ort.xyz/entity/federico-barocci

## Summary
Federico Barocci was an Italian painter (1535–1612) known for his religious and mythological works, including the *Descent from the Cross* in Perugia Cathedral and the *Madonna of the People*. His contributions to Renaissance art reflect the visual arts' role in cultural and religious expression.

## Biography
- Born: 1535 (exact location unknown)
- Nationality: Italian
- Education: Trained in Urbino and Rome
- Known for: Religious and mythological paintings
- Employer(s): Duchy of Urbino, Casina Pio IV
- Field(s): Painting, visual arts

## Contributions
- *Descent from the Cross* (1568): A major altarpiece in Perugia Cathedral, showcasing Barocci's mastery of religious composition.
- *Madonna of the People* (1579): A notable work depicting the Virgin Mary with a crowd, reflecting his engagement with popular piety.
- *Communion of the Apostles* (1603): A significant religious painting demonstrating his late-career style.
- *Madonna of the Cat* (1575): A lesser-known but influential piece in the National Gallery, London.
- *Nativity* (1597): A religious composition held in the Prado Museum.

## FAQs
**What are Federico Barocci's most famous paintings?**
Barocci is renowned for *Descent from the Cross* (Perugia Cathedral), *Madonna of the People* (1579), and *Communion of the Apostles* (1603), which are key examples of his religious artistry.

**Where did Federico Barocci work?**
He was active in Urbino and Rome, collaborating with institutions like the Duchy of Urbino and the Casina Pio IV.

**What style of art did Federico Barocci practice?**
Barocci specialized in religious and mythological painting, blending Renaissance techniques with personal innovation.

## Why They Matter
Federico Barocci's contributions to visual arts shaped the religious and cultural landscape of Renaissance Italy. His works, such as *Descent from the Cross*, influenced later generations of artists and remain significant in the study of Renaissance painting. His engagement with popular piety and mythological themes expanded the boundaries of traditional religious art, making him a pivotal figure in the evolution of visual arts.

## Notable For
- Created *Descent from the Cross* (1568), a landmark religious painting in Perugia Cathedral.
- Authored *Madonna of the People* (1579), a key work in his oeuvre.
- Trained in Urbino and Rome, contributing to the artistic legacy of the Duchy of Urbino.
- Influenced later artists through his religious and mythological compositions.

## Body

### Early Life and Training
Federico Barocci was born in 1535. He received his artistic training in Urbino and later in Rome, where he honed his skills in religious and mythological painting. His early works reflect the influence of Renaissance masters, setting the foundation for his later career.

### Career and Major Works
Barocci's career spanned several decades, during which he produced numerous significant works. His *Descent from the Cross* (1568) is a masterpiece held in Perugia Cathedral, showcasing his ability to convey profound religious themes. *Madonna of the People* (1579) further demonstrated his engagement with popular piety, while *Communion of the Apostles* (1603) marked his late-career style. Other notable works include *Madonna of the Cat* (1575) and *Nativity* (1597), both of which are held in prestigious collections.

### Influence and Legacy
Barocci's influence extended beyond his lifetime, shaping the trajectory of Renaissance art. His religious and mythological compositions inspired later artists and remain influential in the study of visual arts. His works are held in major institutions, including the National Gallery, London, and the Prado Museum, ensuring their enduring legacy.

### Collaborations and Affiliations
Barocci worked with key institutions such as the Duchy of Urbino and the Casina Pio IV, contributing to their artistic and cultural missions. His collaborations with these organizations helped advance the visual arts in Italy during the Renaissance.

### Style and Techniques
Barocci's style is characterized by a blend of Renaissance techniques and personal innovation. His religious and mythological paintings often featured intricate compositions and symbolic elements, reflecting his deep engagement with the themes of his time. His techniques, such as the use of light and shadow, set new standards in the field of visual arts.

## References

1. Integrated Authority File
2. Virtual International Authority File
3. BnF authorities
4. KulturNav. 2016
5. [Source](https://www.museabrugge.be/collection/work/id/0000_GRO4211_III)
6. Czech National Authority Database
7. The Fine Art Archive
8. International Standard Name Identifier
9. CiNii Research
10. Federico Barocci. Kunstindeks Danmark
11. Dizionario Biografico degli Italiani
12. The Nelson-Atkins Museum of Art
13. Städel Museum
14. National Gallery of Victoria
15. Athenaeum
16. Art UK painters database
17. Brockhaus Enzyklopädie
18. RKDartists
19. Freebase Data Dumps. 2013
20. artist list of the National Museum of Sweden. 2016
21. CONOR.SI
22. CERL Thesaurus
23. Vies des peintres, sculpteurs et architectes
24. Treccani's Enciclopedia on line
25. LIBRIS. 2016
26. Smithsonian American Art Museum person/institution ID
27. Metropolitan Museum of Art
28. [Source](https://www.fine-arts-museum.be/nl/de-collectie/artist/barocci-federico-1)
29. [Source](https://www.bellasartes.gob.ar/)
30. [Source](https://collections.carlos.emory.edu/people/22168/)
31. [Source](https://ackland.emuseum.com/people/3524/federico-barocci/objects)
32. [Source](https://gallica.bnf.fr/ark:/12148/bpt6k6227300f/f151.item)
33. catalogo.beniculturali.it
34. [Source](https://library.nga.gov/permalink/01NGA_INST/1cl1g8d/alma994142280204896)
35. HMML Authority File
36. [Source](https://www.getty.edu/art/collection/artists/446)