# Droites et Courbes / Lines and Curves

> creative work by Patrick-Henri Burgaud

**Wikidata**: [Q132198481](https://www.wikidata.org/wiki/Q132198481)  
**Source**: https://4ort.xyz/entity/droites-et-courbes-lines-and-curves

## Summary
*Droites et Courves / Lines and Curves* is an electronic literature work created by Patrick-Henri Burgaud in 2009. It is a web-based application designed for end-users, featuring interactive lines and curves, and is written in HTML.

## Key Facts
- **Genre**: Electronic literature
- **Author**: Patrick-Henri Burgaud
- **Publication Date**: 2009
- **Instance of**: Creative work, application, web page
- **Distribution Format**: Web page
- **Programming Language**: HTML
- **ELMCIP ID**: 2793

## FAQs
### Q: Who created *Droites et Courves / Lines and Curves*?
A: The work was created by Patrick-Henri Burgaud, an electronic literature author.

### Q: What is the medium of *Droites et Courves / Lines and Curves*?
A: It is a web-based application distributed as a web page, written in HTML.

### Q: When was *Droites et Courves / Lines and Curves* published?
A: The work was published in 2009.

### Q: What genre does *Droites et Courves / Lines and Curves* belong to?
A: It is classified as electronic literature.

### Q: Is *Droites et Courves / Lines and Curves* interactive?
A: Yes, it is designed as an application for end-users, implying interactivity.

## Why It Matters
*Droites et Courves / Lines and Curves* represents a significant contribution to electronic literature, a genre that blends digital media with literary experimentation. As a web-based work, it exemplifies how digital platforms can be used to create immersive, interactive narratives. The use of HTML as the programming language highlights the accessibility and versatility of web technologies in artistic expression. By engaging with geometric forms—lines and curves—Burgaud explores the intersection of mathematics, aesthetics, and digital art, offering a unique perspective on how technology can shape creative storytelling. This work underscores the evolving nature of literature in the digital age, where traditional boundaries between art and technology are continually redefined.

## Notable For
- **Electronic Literature Pioneer**: One of the earliest examples of interactive web-based electronic literature.
- **HTML-Based Art**: Demonstrates the use of HTML for creative, rather than functional, purposes.
- **Geometric Abstraction**: Focuses on lines and curves as a medium for digital artistic expression.
- **Web Application Design**: Serves as a case study in how web technologies can be repurposed for artistic ends.
- **2009 Publication**: Represents a key work in the early development of electronic literature.

## Body
### Overview
*Droites et Courves / Lines and Curves* is a digital artwork by Patrick-Henri Burgaud, published in 2009. It is classified as electronic literature, a genre that merges digital media with literary techniques. The work is distributed as a web page, indicating its accessibility via the internet.

### Technical Details
- The application is written in HTML, a markup language primarily used for structuring web content.
- The work is categorized as both a creative work and an application, suggesting it is designed for user interaction.
- The ELMCIP ID (Electronic Literature Directory) for the work is 2793, indicating its inclusion in academic and literary databases.

### Contextual Significance
- Electronic literature is a niche but influential field that explores the possibilities of digital media in storytelling.
- The use of HTML as a creative medium highlights the adaptability of web technologies beyond traditional web design.
- Burgaud’s work aligns with broader trends in digital art, where artists repurpose software and programming languages for artistic expression.

### Legacy
- The work remains a notable example of early electronic literature, influencing later digital art and interactive media.
- Its geometric focus on lines and curves reflects a broader interest in mathematical abstraction in digital art.
- The 2009 publication date places it in the early years of the digital art movement, when web-based works were still emerging.