# Der Gott der Literatur und Kultur Wenchang Wang  auf separater Plinthe
**Wikidata**: [Q120422779](https://www.wikidata.org/wiki/Q120422779)  
**Source**: https://4ort.xyz/entity/der-gott-der-literatur-und-kultur-wenchang-wang-auf-separater-plinthe

## Summary
"Der Gott der Literatur und Kultur Wenchang Wang auf separater Plinthe" is a 3D computer graphics representation of Wenchang Wang, the Taoist deity of literature and culture. The digital model, which depicts the god standing on a separate base (plinthe), was created using three-dimensional geometric data. It is a digitized item dating back to the year 1700 and is currently held in the collection of the Thuringian State and University Library.

## Key Facts

*   **Entity Type:** Instance of 3D computer graphics.
*   **Subject Matter:** Wenchang Wang, the god of literature and culture.
*   **Visual Composition:** The figure is depicted on a separate plinthe (base).
*   **Inception:** The entity or the original artifact is dated to the year 1700.
*   **Collection:** Held by the Thuringian State and University Library.
*   **Geographic Connection:** Republic of China.
*   **Technical Medium:** Graphics that use a three-dimensional representation of geometric data.
*   **Technical Classification:** Subclass of computer graphics.

## FAQs

**What is depicted in this 3D model?**
The model depicts Wenchang Wang, the god of literature and culture, characterized by his placement on a separate plinth or base.

**Where is this digital object stored?**
The object is part of the collection at the Thuringian State and University Library.

**What technology is used to create this entity?**
The entity is an instance of 3D computer graphics, a field that utilizes three-dimensional representations of geometric data to create images and animations. This involves processing mathematical structures of vertices, edges, and faces through rendering algorithms.

## Why It Matters
This entity represents the intersection of cultural heritage preservation and modern digital visualization technology. By rendering the historical figure of Wenchang Wang—a deity significant to academic and literary traditions in the Republic of China—as 3D computer graphics, the entry bridges the gap between 18th-century artifacts (dated 1700) and contemporary digital archiving. It allows for the immersive examination of cultural iconography without the physical limitations of the original object, utilizing the power of 3D geometric data to preserve and present history.

## Notable For
*   Digitizing a cultural artifact originating from the year 1700.
*   Utilizing advanced 3D modelling techniques to represent a specific deity, Wenchang Wang.
*   Being a distinct item within the Thuringian State and University Library's digital collection.
*   Demonstrating the application of 3D computer graphics beyond entertainment, specifically in the archival and cultural heritage sector.

## Body

### Subject and Description
The entity is a digital representation titled "Der Gott der Literatur und Kultur Wenchang Wang auf separater Plinthe" (The God of Literature and Culture Wenchang Wang on a separate plinth). It focuses on Wenchang Wang, a Taoist deity revered as the god of culture and literature. The specific detail of the "separate plinthe" indicates the compositional arrangement of the figure, suggesting a distinct base or pedestal that supports the statue in the modeling.

### Technical Composition
As an instance of **3D computer graphics**, the entity is constructed using a three-dimensional representation of geometric data.
*   **Geometric Structure:** The model relies on mathematical representations using vertices, edges, and faces to define the shape of the deity and the plinth.
*   **Rendering:** These geometric data structures are processed through rendering algorithms to produce a visual representation of the 1700 artifact.
*   **Techniques:** While specific creation details are not noted, the field generally employs techniques such as freeform surface modelling for complex curves and specific file formats to ensure interoperability. The broader category of 3D graphics supports a wide range of applications, from gaming to medical imaging, though this specific instance focuses on cultural visualization.

### Provenance and Location
The item is situated within the **Republic of China** in terms of its cultural or geographic origin. It is historically anchored by an inception date of **1700**. In its current digital and archival state, the entity belongs to the **Thuringian State and University Library**. This placement highlights the library's role in preserving digital surrogates of historical artifacts.