# Clay Conversations

> creative work by Hazel Smith, Joanna Still, Roger Dean

**Wikidata**: [Q132221462](https://www.wikidata.org/wiki/Q132221462)  
**Source**: https://4ort.xyz/entity/clay-conversations

## Summary
Clay Conversations is a creative work by Hazel Smith, Joanna Still, and Roger Dean, functioning both as a creative piece and a software application. It was published in 2010 and utilizes the Max programming language.

## Key Facts
- Instance of: Creative work and Application
- Authors: Hazel Smith, Roger Dean (primary), Joanna Still (author_name_string)
- Publication Date: 2010
- Publication Context: Academic journal
- Distribution Format: Web page
- Programming Language: Max (programming language)
- Uses: Final Cut Pro
- ELMCIP ID: 16151

## FAQs
### Q: What is Clay Conversations?
A: Clay Conversations is a creative work created by Hazel Smith, Joanna Still, and Roger Dean. It is classified both as a creative work and a software application, distributed as a web page.

### Q: When was Clay Conversations published and where?
A: It was published in 2010 within an academic journal context.

### Q: What technology is Clay Conversations built on?
A: Clay Conversations utilizes the Max programming language and uses Final Cut Pro.

### Q: Who are the creators of Clay Conversations?
A: The creators are Hazel Smith, Joanna Still, and Roger Dean, with Smith and Dean listed as primary authors.

## Why It Matters
Clay Conversations represents a significant example of interdisciplinary work, merging creative practice with computational art and software development. Its dual classification as both a creative work and an application highlights the blurring lines between art and technology in contemporary digital culture. Published within an academic journal, it contributes to the discourse on creative uses of programming languages like Max and the potential for software as a creative medium. Its existence as a web-based creative application demonstrates the accessibility and reach of digital art forms beyond traditional gallery spaces.

## Notable For
- Unique dual classification as both a creative work and an application.
- Creation by a team combining artists (Hazel Smith, Roger Dean) and a contributor listed separately (Joanna Still).
- Implementation using the Max programming language, a key tool in interactive media and digital arts.
- Integration of Final Cut Pro, indicating a hybrid media approach.
- Recognition with an ELMCIP ID (16151), signifying its place in digital humanities and electronic literature research.

## Body
### Creation & Classification
- Clay Conversations is formally classified as both a **creative work** and an **application**.
- The **primary authors** are Hazel Smith and Roger Dean. Joanna Still is also listed as a creator under `author_name_string`.
- It was **published in 2010** within an **academic journal** context.

### Technical Specifications
- The **distribution format** is a **web page**.
- Its **programming language** is **Max (programming language)**.
- It **uses** **Final Cut Pro**.

### Context & Identity
- It holds the **ELMCIP ID: 16151**, indicating its inclusion in the ELMCIP (Electronic Literature as a Model of Creativity and Innovation in Practice) database.
- Its **wikidata_description** identifies it simply as "creative work by Hazel Smith, Joanna Still, Roger Dean".