# Circa 1948

> creative work by Stan Douglas

**Wikidata**: [Q132204689](https://www.wikidata.org/wiki/Q132204689)  
**Source**: https://4ort.xyz/entity/circa-1948-q132204689

## Summary
Circa 1948 is a creative work and exhibit by artist Stan Douglas, published in 2014. It is classified as an application and utilizes locative media, blending technology and art to create an immersive experience. The work highlights Douglas’s exploration of narrative and historical themes through interactive digital platforms.

## Key Facts
- **Creator**: Stan Douglas.
- **Publication Date**: 2014.
- **Type**: Creative work, exhibit, and application.
- **Media Modality**: Locative media.
- **Language**: English.
- **ELMCIP ID**: 13720.
- **Wikidata Description**: "Creative work by Stan Douglas."
- **Instance Of**: Combines elements of art, technology, and historical narrative.

## FAQs
### Q: Who created Circa 1948?
A: Circa 1948 was created by artist Stan Douglas, known for his interdisciplinary approach to art and technology.

### Q: What type of work is Circa 1948?
A: It is a creative work, exhibit, and application that incorporates locative media, designed to engage users through interactive and immersive storytelling.

### Q: When was Circa 1948 published?
A: The work was published in 2014, reflecting Douglas’s ongoing exploration of digital platforms for artistic expression.

### Q: What makes Circa 1948 unique?
A: Its use of locative media sets it apart, leveraging technology to contextualize historical or narrative content within specific physical or virtual environments.

## Why It Matters
Circa 1948 is significant for its innovative fusion of art, history, and technology. As a locative media application, it redefines how audiences interact with narratives by embedding them in contextual environments. Stan Douglas’s work challenges traditional boundaries between art and technology, offering a dynamic platform for storytelling that adapts to user engagement. This piece contributes to discussions about the role of digital media in preserving and reinterpreting historical themes, making it a notable example of contemporary interactive art.

## Notable For
- **Interdisciplinary Approach**: Blends art, technology, and historical narrative.
- **Locative Media Innovation**: Uses location-based technology to create immersive experiences.
- **Stan Douglas’s Artistic Legacy**: Represents the artist’s signature style of merging mediums to explore sociopolitical and cultural themes.
- **2014 Publication**: Reflects early 21st-century advancements in interactive digital art.

## Body

### Creation and Context
Circa 1948 was conceived by Stan Douglas, a renowned artist recognized for his experimental approach to media and narrative. Published in 2014, the work aligns with Douglas’s broader themes of reexamining historical events and cultural identities through contemporary technology.

### Media Modality
The piece is defined by its use of **locative media**, a technology that links digital content to physical or virtual locations. This modality allows users to engage with the work in context-aware environments, enhancing the narrative’s immediacy and relevance.

### Classification and Structure
As an **application**, Circa 1948 functions as a software-based platform designed for end-user interaction. It is categorized as both a **creative work** and an **exhibit**, emphasizing its dual role as an artistic statement and a publicly accessible installation. The work’s structure reflects its technical and artistic duality, combining code-driven functionality with conceptual depth.

### Technical and Cultural Significance
Circa 1948 holds an **ELMCIP ID (13720)**, identifying it within electronic literature and media art databases. This classification underscores its contribution to digital art discourse. By leveraging locative media, the work addresses themes of place, memory, and historical interpretation, inviting users to navigate narratives in non-linear, exploratory ways.

### Author and Intent
Stan Douglas’s authorship ties the work to his critically acclaimed oeuvre, which often critiques societal norms and historical representation. The 2014 publication date situates Circa 1948 within a period of rapid growth in interactive and immersive art technologies, positioning it as both a product of its time and a forward-thinking artistic endeavor.

### Legacy and Impact
While specific reception details are not provided, the work’s integration of locative media and its classification as an application highlight its role in expanding the boundaries of digital art. It exemplifies how technology can democratize access to complex narratives, making it a reference point for artists and developers exploring interactive storytelling.