# Back in the R.0.K. > creative work by Marc Voge, Young-Hae Chang, Young-Hae Chang Heavy Industries **Wikidata**: [Q132198399](https://www.wikidata.org/wiki/Q132198399) **Source**: https://4ort.xyz/entity/back-in-the-r-0-k ## Summary Back in the R.0.K. is a creative work created by Marc Voge, Young-Hae Chang, and Young-Hae Chang Heavy Industries, published in 2009 as a web-based application using Adobe Flash technology. It represents a digital artistic work distributed via web page format in the English language, categorized as both a creative work and an application within digital humanities collections. ## Key Facts - **Creators**: Marc Voge, Young-Hae Chang, and Young-Hae Chang Heavy Industries - **Publication Year**: 2009 - **Software Engine**: Adobe Flash - **Distribution Format**: Web page - **Language of Work**: English - **ELMCIP ID**: 2557 - **Instance Of**: Creative work, application - **Wikidata Description**: Creative work by Marc Voge, Young-Hae Chang, Young-Hae Chang Heavy Industries ## FAQs ### Q: Who created Back in the R.0.K.? A: Back in the R.0.K. was created by Marc Voge, Young-Hae Chang, and Young-Hae Chang Heavy Industries. Young-Hae Chang Heavy Industries is a well-known digital art collective that has produced numerous Flash-based web artworks. ### Q: What technology was used to create Back in the R.0.K.? A: Back in the R.0.K. was created using Adobe Flash, a multimedia software platform that was widely used for web-based creative works, animations, and interactive applications during the late 1990s through the early 2010s. ### Q: When was Back in the R.0.K. published? A: Back in the R.0.K. was published in 2009, placing it in the later period of Adobe Flash's prominence as a creative web technology. ### Q: What type of creative work is Back in the R.0.K.? A: Back in the R.0.K. is classified as both a creative work and an application, distributed as a web page. It represents a digital artistic piece that falls within the electronic literature and new media art traditions. ### Q: How can Back in the R.0.K. be accessed? A: Back in the R.0.K. is distributed in web page format, meaning it was designed to be accessed through a web browser. It is cataloged in the ELMCIP (Electronic Literature Knowledge Base) with identifier 2557. ## Why It Matters Back in the R.0.K. represents an important artifact from the era of Flash-based digital art and electronic literature. Created in 2009, it stands as a testament to the creative possibilities offered by Adobe Flash technology during a pivotal period in web-based artistic expression. The work exemplifies the collaborative nature of new media art, bringing together Marc Voge and the established digital art collective Young-Hae Chang Heavy Industries. The piece holds significance within the electronic literature community as part of the broader movement that explored the intersection of code, narrative, and visual design. Electronic literature, as a field, documents and preserves works like Back in the R.0.K. to maintain a record of digital artistic innovation that emerged during the Flash era. The inclusion of this work in the ELMCIP knowledge base underscores its relevance to scholars and researchers studying the evolution of digital creativity. Furthermore, Back in the R.0.K. contributes to our understanding of how artists experimented with the unique affordances of web-based distribution and interactive media to create distinctive artistic experiences that could not be replicated in traditional print or static digital formats. ## Notable For - **Collaborative Creation**: Brings together individual artist Marc Voge with the renowned digital art collective Young-Hae Chang Heavy Industries - **Historical Context**: Represents late-era Flash-based artistic production from 2009 - **Academic Documentation**: Preserved in the ELMCIP Electronic Literature Knowledge Base - **Web-Native Format**: Exists as a distributed web page, embodying the principles of net art ## Body ### Creators and Collaboration Back in the R.0.K. emerged from a collaboration between Marc Voge and Young-Hae Chang, working through Young-Hae Chang Heavy Industries. Young-Hae Chang Heavy Industries has established itself as a significant force in digital art, particularly known for their Flash-based works that often combine text, animation, and interactive elements. The collaboration with Marc Voge represents an intersection between individual artistic practice and collective digital art production. ### Technical Foundation The work was built using Adobe Flash as its software engine. Adobe Flash (formerly Macromedia Flash) was a multimedia software platform that enabled the creation of animations, games, rich internet applications, and interactive web experiences. During the 2000s, Flash was the dominant technology for web-based creative works and digital art, offering artists a robust set of tools for creating visually sophisticated and interactive pieces. By 2009, however, the Flash era was approaching its twilight, as mobile devices began to move away from Flash support and HTML5 emerged as a competing standard. ### Publication and Distribution Back in the R.0.K. was published in 2009 and distributed in web page format. This distribution method was characteristic of Flash-based works, which required a web browser with the Flash Player plugin to view. The web page format allowed for immediate accessibility without requiring users to download separate software or files, though it also meant the work could only be fully experienced in environments that supported Flash technology. ### Classification and Cataloging The work is classified within the ELMCIP (Electronic Literature Knowledge Base) with the identifier 2557. It is categorized as both a creative work and an application, reflecting its dual nature as an artistic piece and a functional software artifact. This classification places it within the broader field of electronic literature, which encompasses digital works that use computational and networked media as essential components of their composition and reception. ### Historical Significance The creation of Back in the R.0.K. in 2009 places it at an interesting historical juncture. This was a period when the digital art community was beginning to grapple with the impending decline of Flash as a dominant web technology. Many artists working in Flash during this era were either transitioning to new platforms or creating works that would eventually require preservation or emulation to remain accessible. Works like Back in the R.0.K. thus serve as historical documents of a particular moment in digital artistic evolution. ### Language and Accessibility The work was created in English, making it accessible to a broad international audience. English has been the dominant language for much of the electronic literature produced globally, facilitating cross-cultural exchange and scholarly discussion about digital artistic works.