# Artist's Statement No. 45,730,944: The Perfect Artistic Website (Korean) > creative work by Marc Voge, Young-Hae Chang, Young-Hae Chang Heavy Industries **Wikidata**: [Q132198472](https://www.wikidata.org/wiki/Q132198472) **Source**: https://4ort.xyz/entity/artist-s-statement-no-45-730-944-the-perfect-artistic-website-korean ## Summary Artist's Statement No. 45,730,944: The Perfect Artistic Website (Korean) is a creative work produced in 2000 by Marc Voge, Young-Hae Chang, and the collective Young-Hae Chang Heavy Industries. Developed using Adobe Flash and presented as a web-based application, this Korean-language piece exemplifies early experimental digital art. It critiques the concept of a "perfect" artistic website through its minimalist, text-driven interface. ## Key Facts - **Creators**: Marc Voge, Young-Hae Chang, and Young-Hae Chang Heavy Industries. - **Publication Date**: 2000. - **Software Engine**: Built using Adobe Flash. - **Format**: Distributed as a web page. - **Language**: Korean. - **ELMCIP ID**: 2763. - **Classification**: Instance of both "creative work" and "application." - **Associated Entity**: Young-Hae Chang Heavy Industries (collective). - **Thematic Focus**: Exploration of digital art, website aesthetics, and technological limitations. ## FAQs ### Q: Who created Artist's Statement No. 45,730,944? A: The work was collaboratively produced by Marc Voge, Young-Hae Chang, and the Seoul-based collective Young-Hae Chang Heavy Industries. ### Q: When was it first published? A: The piece debuted in 2000, a period marked by the rise of Flash-based interactive art on the early internet. ### Q: What technology was used to create it? A: It was developed using Adobe Flash, a tool popular at the time for web animations and interactive content. ### Q: Why is the title "The Perfect Artistic Website" ironic? A: The title critiques the pursuit of perfection in digital art, juxtaposed with the work’s intentionally stark, text-heavy design that challenges conventional notions of "perfect" web aesthetics. ### Q: What language is the artwork presented in? A: The primary language of the piece is Korean, reflecting the creators’ background and target audience. ## Why It Matters This artwork is significant as an early example of digital art that leveraged Flash technology to question the boundaries of web-based creativity. By embracing the technical constraints of 2000-era internet tools, it embodies the experimental spirit of the pre-social media digital art scene. Its use of rapid text animations and absence of visual embellishments commentary on the commodification of "perfection" in digital design. As a Korean-language work, it also highlights the global diversity of early net art, often overshadowed by English-centric narratives. ## Notable For - **Early Flash Art**: One of the pioneering works to utilize Adobe Flash for critical artistic expression. - **Collective Authorship**: Produced by Young-Hae Chang Heavy Industries, a notable Seoul-based art collective. - **Korean-Language Focus**: A rare example of non-English digital art from the early 2000s web scene. - **Minimalist Critique**: Uses plain text and absence of imagery to challenge aesthetic norms of "perfect" websites. - **Web-Native Format**: Designed specifically for online engagement, predating modern social media platforms. ## Body ### History and Context Artist's Statement No. 45,730,944 was created in 2000, a pivotal year for internet art characterized by the proliferation of Flash-based projects. The work emerged from the collaborative efforts of Marc Voge, Young-Hae Chang, and their collective, Young-Hae Chang Heavy Industries, which was known for its text-centric, politically charged digital art. The title’s numeric designation ("No. 45,730,944") ironically mimics corporate or bureaucratic cataloging systems, reflecting the artists’ critique of institutional validation in the digital age. ### Creators and Collaborations - **Marc Voge**: A French-American artist and programmer who co-founded Young-Hae Chang Heavy Industries with Young-Hae Chang. - **Young-Hae Chang**: A Korean poet and artist whose textual contributions form the core of the collective’s output. - **Young-Hae Chang Heavy Industries**: Founded in Seoul in 2000, the group gained recognition for works like *CUNY* (2002) and *The Annunciation* (2003), which similarly blend poetry, politics, and digital minimalism. ### Technical Specifications - **Software**: Built using Adobe Flash 4 or 5, which dominated web animation at the time. - **Distribution**: Hosted on the collective’s website as a standalone .swf file, accessible via desktop browsers. - **Language**: Korean text animations with optional English translations, emphasizing linguistic specificity. - **Design**: Black-and-white typography, rapid text scrolling, and a looping structure devoid of interactive elements. ### Cultural and Artistic Significance The work’s title and aesthetic directly confront the commercial and aesthetic pressures of early web design, which often prioritized visual complexity over conceptual depth. By presenting a "statement" rather than a traditional artwork, the piece aligns with conceptual art traditions while engaging with the novelty of digital platforms. Its focus on language—particularly Korean—also underscores the globalization of internet culture, challenging Anglophone dominance in net art discourse. ### Legacy and Impact Despite the eventual decline of Flash, Artist's Statement No. 45,730,944 remains a landmark of early digital art. It has been preserved in institutional collections, including the Electronic Literature Organization, and continues to be cited in discussions of net art’s evolution. The work’s themes of imperfection and anti-aesthetics resonate with later movements like glitch art and post-internet art, demonstrating its forward-thinking critique of digital culture. ### Related Entities - **Young-Hae Chang Heavy Industries**: The collective’s other works, such as *The Last Supper* (2001), share similar textual and political themes. - **Adobe Flash**: The software’s role in 2000s net art is exemplified by this piece, which pushed against Flash’s typical use for commercial animations. - **ELMCIP (Electronic Literature as a Model of Cultural and Artistic Innovation)**: The work’s inclusion in ELMCIP’s database (ID 2763) highlights its recognition within electronic literature scholarship. - **Korean Digital Art**: Part of a broader wave of Korean new media art in the 2000s, including works by artists like Ryoji Ikeda and Yang Lee.