# Andrea del Sarto

> Italian painter (1486-1530)

**Wikidata**: [Q5571](https://www.wikidata.org/wiki/Q5571)  
**Wikipedia**: [English](https://en.wikipedia.org/wiki/Andrea_del_Sarto)  
**Source**: https://4ort.xyz/entity/andrea-del-sarto

## Summary

Andrea del Sarto was born July 16, 1486, in Florence.[1][2] He worked as a painter, draftsperson, and visual artist.[3][4][1] His field was painting.He died September 29, 1530, in Florence.[4][1] Notable works include Madonna of the Harpies, San Gallo Annunciation, Last Supper of Andrea del Sarto, Vallombrosa Altarpiece, Saint James, and The Sacrifice of Isaac, plus 4 more.

## Summary
Andrea del Sarto was an Italian painter (1486–1530) known for his religious and mythological works, particularly the *Madonna of the Harpies* (1517) and the *San Gallo Annunciation* (1510). His contributions to Renaissance art in Florence established him as a leading figure of the High Renaissance period.

## Biography
- Born: July 16, 1486
- Nationality: Italian (Republic of Florence)
- Education: Trained in Florence, apprenticed under Luca Signorelli
- Known for: Religious and mythological paintings, masterpieces like *The Disputation on the Trinity* (1517)
- Employer(s): Cloister of the Scalzo, Uffizi Gallery
- Field(s): Painting

## Contributions
Andrea del Sarto created numerous religious and mythological paintings, including:
- *The Disputation on the Trinity* (1517)
- *Charity* (1518)
- *Madonna of the Harpies* (1517)
- *San Gallo Annunciation* (1510)
- *Saint John the Baptist as a Boy* (1523)
- *The Sacrifice of Isaac* (1527)
- *Passerini Assumption* (1526)
- *Panciatichi Assumption* (1523)
- *Noli me tangere* (1510)

## FAQs
**What was Andrea del Sarto's primary artistic style?**
Andrea del Sarto was a High Renaissance painter known for his meticulous attention to detail and expressive compositions, particularly in religious and mythological subjects.

**Where are Andrea del Sarto's most famous works displayed?**
Many of his works, including *The Disputation on the Trinity* and *Madonna of the Harpies*, are housed in the Uffizi Gallery in Florence.

**What religious themes did Andrea del Sarto frequently depict?**
He frequently painted biblical and religious subjects, such as the *Annunciation* and the *Assumption of Mary*, reflecting the devotional art of the Renaissance.

## Why They Matter
Andrea del Sarto's contributions to Renaissance art laid the foundation for later masters like Michelangelo and Raphael. His works, characterized by their emotional depth and technical precision, influenced the development of religious and mythological painting in Florence. His legacy endures in the Uffizi Gallery, where his masterpieces remain celebrated.

## Notable For
- Created the *Madonna of the Harpies* (1517), a landmark work in Renaissance art.
- Authored *The Disputation on the Trinity* (1517), a key religious painting of the period.
- Trained under Luca Signorelli, contributing to the artistic evolution of Florence.

## Body
### Early Life and Training
Andrea del Sarto was born on July 16, 1486, in Florence. He began his artistic training under Luca Signorelli, a prominent painter of the time. His early works reflect the influence of Signorelli’s style, particularly in his use of color and composition.

### Career and Major Works
Andrea del Sarto’s career flourished in Florence, where he produced numerous religious and mythological paintings. His most famous works include:
- *The Disputation on the Trinity* (1517), a complex composition depicting biblical figures.
- *Charity* (1518), a devotional painting showcasing his mastery of religious themes.
- *Madonna of the Harpies* (1517), a striking depiction of the Virgin Mary surrounded by mythological figures.
- *San Gallo Annunciation* (1510), an early work that demonstrates his evolving style.

### Later Works and Legacy
In his later years, Andrea del Sarto continued to produce significant works, such as:
- *Saint John the Baptist as a Boy* (1523), a poignant portrayal of the biblical figure.
- *The Sacrifice of Isaac* (1527), a dramatic scene from the Old Testament.
- *Passerini Assumption* (1526) and *Panciatichi Assumption* (1523), both depicting the Ascension of Mary.

His death on September 29, 1530, marked the end of an era for Renaissance art in Florence. His works remain influential, with many housed in the Uffizi Gallery, where they continue to be studied and admired.

## References

1. Union List of Artist Names. 2021
2. KulturNav. 2016
3. Integrated Authority File
4. datos.bne.es
5. [Source](https://www.museabrugge.be/collection/work/id/2014_GRO1746_III)
6. The Fine Art Archive
7. RKDartists
8. International Standard Name Identifier
9. Japan Search
10. CiNii Research
11. archINFORM
12. Virtual International Authority File
13. MusicBrainz
14. Freebase Data Dumps. 2013
15. artist list of the National Museum of Sweden. 2016
16. [Source](http://digitale.beic.it/primo_library/libweb/action/search.do?fn=search&vid=BEIC&vl%283134987UI0%29=creator&vl%28freeText0%29=Andrea%20del%20Sarto)
17. IdRef
18. CONOR.SI
19. CERL Thesaurus
20. Dizionario Biografico degli Italiani
21. Vies des peintres, sculpteurs et architectes
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23. [Source](https://www.archinform.net/service/wd_aiarch.php)
24. LIBRIS. 2016
25. Metropolitan Museum of Art
26. [Source](https://www.fine-arts-museum.be/nl/de-collectie/artist/del-sarto-andrea)
27. catalogo.beniculturali.it
28. [Source](https://library.nga.gov/permalink/01NGA_INST/1cl1g8d/alma99816053504896)
29. HMML Authority File